If you follow @thepinkladyapplehouse on Instagram, you know that Justin Holt plays many instruments, lays down bucket loads of recorded sounds each day, and can shape these sounds into incredible cascading sonic impressions. In the picture above, you see him taking spaceship Earth out for a spin last summer! In his latest release, Junk Tape Vol 2/UFO Mixtape, The Pink Lady Apple House beams cosmic light and stirs quantum fluctuations into satisfying sonic landscapes.
My favorite track, Delighted, features a conversation between electric guitar in the right ear and Moog Grandmother in the left over a lumbering drum and basswith lots of fun percussive frills. Fashion is constructed of layers of blips, bloops, twitters braided together with a driving drum and bass that gradually lose their clarity as more harmonic content is added to the mix till all finally gurgles away. Listen to Star Map and you will know all the places he went on those summer cosmic explorations.
The Pink Lady Apple House sound draws some comparisons to the free jazz of Medeski, Martin and Woods and Sun Ra Arkestra. His process plays off of Brian Eno’s “The Studio as a Compositional Tool “as he works with reel-to-reel tapes and often plays the mixing board in real time. Justin’s playing of the Roland SP 404 is phenomenal and figures prominently on this album, along with the Moog Grandmother. TPLAH creates soundscapes of layered, lo-fi sounds that dance in/out of tune and time while merging and modulating each other in surprising and delightful ways. They sound full and interesting through headphones, iphone speakers and full sound systems.
Listening to Junk Tape Vol 2/UFO Mix Tape reminded me of a Tom Wait’s music video where he was herky jerky dancing and singing a raggedy melody, and it was so fascinating and beautiful in an off-kilter way, a realization of awkward grace! You will hear that same level of energetic, animated, awkward grace on The Pink Lady Apple House’ Junk Tape Vol 2/UFO Mix Tape available now on Bandcamp: thepinkladyapplehouse.bandcamp.com/album/junk-tape-vol-2-the-ufo-mixtape
Recommended for deep listeners, resonant advisors, and all explorers of the timbral Universe!
iBoD is producing a pop-up sound installation which will have its first expression as part of SITES: reset on Feb 27 2021 at The Accordion Club Durham. The soundscape for this installation will be recordings of people giving thanks in whatever language, in whatever tone of voice feels genuine and right. These voiced gratitudes will be mixed into a sound collage with ocean waves and played through many small speakers. As this wave has evolved, there is now room for recorded gratitudes of all kinds. People are sending songs, chants, electronica, field recordings. All deeply heartfelt expressions of gratitude are welcome!
We are gathering gratitudes from all over the world. No matter how difficult times are, there is always something to be grateful for. My Mother taught me this life lesson, but I resented hearing it as a child. I felt entitled to cling to and suffer all my disappointments and sadnesses. In recent months gratitude goggles have kept me alive and in the moment!! In addition, this time has helped me realize how often I have been ungrateful in my life, and I want to begin again with greater gratitude and love. Since I observe that oscillations/waveforms create reality, Waves of Gratitude is the vibrational reality I desire. I would love for your voice to be a part of it! Record your invocation of gratitude and email the audio file to firstname.lastname@example.org.
For best sound quality, record indoors in a quiet space with little to no background noise.
Use Voice Memo recorder on your smart phone, when finished tap the Share icon (the one that looks like a three-sided box with an arrow inside.) Choose email, and send to email@example.com.
If we are friends on Facebook Messenger, you can send a recorded message. Message me, then tap the icon to the left of where you type the message, this will open a small window where there may be a + or a microphone icon, tap the + and you are recording, when finished, tap the large paper airplane arrow to the right of the message box and voila! your gratitude is delivered.
In addition to the installation, dejacusse will broadcast the waves over Radio iBoD/dejacusse at specified dates and times TBA.
Email me if you have questions and spread gratitude with us in 2021 and beyond!
The Sourdough Project data is finally starting to sing!! The paper, The function and diversity of sourdough microbiomes, is on the verge of being published and I have completed 3 pieces for an album of soundscapes based on the data and findings of the paper.
A little over a year ago, I started working with the Optical Density growth patterns of the 8 most prominent taxa in the 500 starters. Here is a link to the blog post about this idea:
Recently I revised the scale to be a multi-octave expansive scale and aligned the 40 specific growth data points with notes on that scale. Each yeast and LAB (lactic acid bacteria) now is expressed as a multi-octave pentatonic pattern. Here is the final version of String of Yeasts which will introduce the four yeast voices on the album RISE:Sonic Sketches of Sourdough Cultures to be released in March 2021. This piece features K Servazzi, W Anomalus, K Humilis, and S Cerevisiae.
My interest in sounding the world was peaked when I attended Elise Witt’s weekend of song and exploration on Ossabaw Island off the coast of Georgia in 2004 or 2005. Time is a blur, but I vividly remember that weekend, carrying a hand held cassette tape recorder everywhere, and later creating a memory soundscape for each person who attended our glorious days of song and sun on Ossabaw Island GA. This was the very beginning of sound and soundscaping as my creative focus, awakened on this magical island.
The next trip to Ossabaw was as a creative artist with a desire to make a piece for the Annual Ossabaw Foundation Pig Roast and Art Auction, The field recording you will hear below was made standing underneath Sandy West’s tree on Ossabaw Island during a sunny afternoon in May 2006. From this recording, I created one of my first “soundscapes” and my partner, Trudie Kiliru, created the watercolor “Sandy’s Tree”. We felt they were a package and donated them to the auction. The recording presented here is an edited version of the original audio file and focuses on the natural and human-made sounds one might hear on Ossabaw on a Spring afternoon.
Sandy’s Tree Watercolor by Trudie Kiliru
The recording was made with a mini-disc recorder through two small microphones attached to a ball cap on my head. Occasionally you will hear my steps on the shelled path, but mostly I stood in one spot and looked around. Listening to the recording through headphones, you will hear the birds move across the tree canopy, a plane pass by overhead, and close encounters with mosquitos, angry squirrels and electric ciccadas. I hear at least a dozen different bird calls. What do you hear?
Now in 2020, Ossabaw Island’s protected status has come under threat of private development. The Ossabaw Foundation and their supporters have been able to fend off the threat so far, and hopefully they will continue to do so. Putting this news together with climate change and rising seas, I realized that these few moments by Sandy West’s tree are a record of something that I want to preserve.
For more information about Ossabaw Island, The Ossabaw Foundation and the amazing Sandy West and her special tree, visit https://ossabawisland.org/
Eight months ago, the Elektron Model: Samples became part of my sounding board. (Here is a blog post about some preliminary explorations- https://wp.me/p5yJTY-Ch) When the MS started having key sticking issues, and the Global Reset rendered repairs inaccessible, the sounding board landed in limbo land. During this dreamy time, I realized/remembered that I want to play Control Voltages. The MS is a audio/midi device that can sequence synths that accept digital signals. CVs are another realm entirely! Although many synths can be stimulated by both types of signals, the depth and breadth of CVs is unparallelled to my ear.
Thanks to the flexibility of Sweetwater Music and the take charge attitude of my Sweetwater Sales Agent, Paul Allen, the MS (and a little cash) was exchanged for a Make Noise O-Control!! FINALLY, I have a voltage controlled modular set up as I pair this sweet thing with the Behringer Neutron!! Here you have it:
Today is the fifth day of play with my mini-mod, and I am happily patching, playing, studying manuals and/or Patch and Tweak, and deeply listening. Here are some sound samples from my first week’s play.
Duke University Science and Society sponsors a number of programs to foster the interdisciplinary exchange of ideas. One of these programs, SciComm Lunch and Learn, will be the host for Listen to Your Gut, a presentation on baby Lemurs, gut microbiomes and the sonification of data. Dr. Erin McKenney will present her research on changes in the gut microbiomes of baby Lemurs from birth to wean. (Dr. McKenney’s research was done at the Duke Lemur Center!) I will present the Baby Lemur Gut Microbiome Song, which is a sonification of those changes, and talk about how to “listen” to the data.
The program, originally scheduled on campus last March, will happen over Zoom on October 14, 2020. This means that you can all come!!! Here is the link to RSVP- this is necessary in order to get the Zoom link:
In addition, we will share about the Sourdough Project, which Dr. McKenney and I worked on through the Rob Dunn Lab at NC State. I hope to have a section of The Song of the Sourdough ready to present on October 14th. These two studies/sonifications illustrate different approaches to sounding out data. I am grateful to Dr. McKenney for sharing her research and being game for explorations in sound! Another big gratitude goes out to Dr. Ariana Eily and The Art of the Scientist for taking an interest in the idea of sounding data!
Thanks to Nancy Lowe from AS IS Center near Penland School, I am “new best friends” with Mark Boyd. Mark is a sound artist who records and amplifies the “voices” of plants, ants and flowing water: the realm of the tiny vibratory world. Talk about deep listening! Mark has been using electrode sensors on plants into a Volca Synth to listen to the electrical life force within the plant! He sent me recordings of his “biologues” with Bleeding Heart and Fern, and Dogwood. The playback presents us with a lot of fast-paced random sounds. Mark is interested in transducing this data into something people might listen to. Here is an excerpt from Mark’s Bleeding Heart and Fern biologues:
Ableton Live contains numerous tools for transposing/transducing/converting sonic data. An audio clip, such as the one you just heard, can be converted into midi clips; one that renders melody information, and another that renders harmonic information. So now we have audio information rendered as 2 packets of midi information. Within Ableton, midi files can be collapsed or stretched across a timeline and still maintain the integrity of the rhythmic intervals. Midi data can be assigned to a “voice” that feels representative of the sound artist’s impressions of the particular plant that is speaking. Midi data can be fed back into a synth such as the Volca to complete the circle.
The scaling of the time frames of the midi clips is exactly what is needed to help us “hear” the biofeedback from the plants. Doubling the length of the midi clip slows the overall “tempo” and helps us to listen into a kind of river of sound emitted by the plants. Slowing down allows us to tune into a rhythmic cohesiveness that is obscured by the frantic pace of the plant’s raw electrical impulses. We inject spaciousness into the mix in just the right amount, and it sounds like something is being communicated.
After finishing the new rendering of the data, I sent this to Mark:
He was ecstatic, over the top about all the possibilities of Ableton. He downloaded the Lite version and took off with it. We had some great email exchanges and he sent me samplings of his tests and experiments with the flora around his mountain home. Here is a beautiful example with a plant in Mark’s home:
I look forward to Mark putting together an orchestra of local flora in concert in the near future. In the meantime, I am enjoying dialoguing with another human being who is listening as deeply as I am.
Here is a 8 minute excerpt from dejacusse’ hour long broadcast on Thursday afternoon July 30 from 2:48 pm to 3:45 pm. (cause I eschew ideas of “perfection”, and all her followers and gatekeepers.) Today we featured Theta Waves (frequencies divisible by 5 and 8) at 200hz and under at 108 bpm. These Sine waves were then set off in relation to each other, and filtered through flangers, resonators, delays, reverbs and frequency filters within Ableton Live. The idea is to unfold harmonics from these interactions, and enfold them back on themselves. Some pretty cool stuff emerges- not for everyone, but if you feel the resonance, that is the best! Thanks for listening if you do!