iBoD      August 6, 2017                Central Park School Soundgarden

The Central Park School Soundgarden is a lovely location for an iBoD soncert. Eleanor Mills is the resident bell player here most Sundays, and I am grateful that she shared her space and time with us. On the eve of my 65th complete Earth-go-round, and on this date when nuclear bombs were dropped on Nagasaki and Hiroshima over 70 years ago, I became aware that we were playing the moment toward a new horizon. As we let go of our self-conscious bindings, a dialogue happened! We played parallel at times, we played in interwoven layers, we listened for balance in our exchanges, and each of us overpowered at times as the ambient sounds of voices, passing cars, and motorcycle growlings intermixed with our sonic offerings.

Here are two soundscapes we played that evening. Scenes for a Dance Class is a soundscape developed to accompany an ADF class several years ago.  Five scenes at varying, adjustable tempi and time signatures. The energetic weight of each scene is different as well. This piece is a favorite of ours as you will hear. I love the exchange amongst us in the beginning where we make short overlapping statements. The last scene is called some kinda waltz, and features Suzanne’s lovely piano solo.

Gone Won: Life is a Dream was created for the Won Buddhist Temple in Chapel Hill, NC. iBoD played this piece at our first public performance at the Won Buddhist Temple Bazaar in 2015. This soundscape is the setting for one of my favorite childhood teachings. The idea of “inclusion of all voices and vibrations as we move forward into the swirling vortex” informs the basic structure of the piece.

I appreciate Suzanne Romey, Eleanor Mills and Jim Kellough, who give their deep attention and sensitive playing in the moment to these soundscapes.

If you have read this far, and listened to our offerings, then you have experienced the best of my love and being. Your time and attention mean more to me than I can express and make me grateful beyond measure! I hope someday to hear back from you.

Upcoming Birthday Soncert – Sunday August 6th

Just before I retired, I threw a birthday party to celebrate my 60th Earth-go-round. The Pinhook was the venue and many wonderful people came and wrote haikus and played and danced. I fondly remember the bartender saying, “You have the nicest friends!” and I feel so grateful for that gift. I have been blessed to know so many wonderful people in my life. The party was my first live performance with Ableton and I was thrilled when people got up and danced. It felt like a launch into the next phase of my creativity-driven life.

Now, five years later, I will celebrate the 65th Earth-go-round with a soncert (sound concert) at the Central Park School Soundgarden with iBoD on Sunday, August 6th.  When we played there in May, we were without electricity, but we will be electrified!! Eleanor Mills will play the bells (as she does most every Sunday eve) and her harmonicas and melodica. Suzanne Romey will play recorder, toy piano and keyboards, while Jim Kellough will perform on the digital horn. I will play soundscapes and instruments through Ableton Live as well as the uke, NA Flute and psaltry. Our repertoire is more bouncy and less spacey this time around and we hope it makes you want to move and groove.

I am sure it will be a lovely evening. Cocoa Cinnamon is on the corner with delghtful treats.Bring your own chair or cushion or blanket. We are aiming to start between 7 and 7:15. Our first piece is a gathering groove with an easy sway to it. We will play Bandit for the first time! (See post – http://wp.me/p5yJTY-fp for more on Bandit) Several novelty soundscapes will, hopefully, amuse you.

iBoD will play for about an hour. We would so love to have you and your wide-open ears and hearts present with us!

Audio Excerpt from Third Friday Performance

While Jody Cassell moved the energies across the room, Shana Adams, Morgan Fleming and I sounded around her. The sound reflected and supported Jody’s movement. In this excerpt, Jody was reaching for lost conversations, while Shana sang the words from Megan Bostic’s piece I Lost The Conversation, and Morgan and I stretched tones. I wish I had a video of the movement Jody responded with during this piece. It was a most beautiful fusion of visions.

Third Friday Performance@Durham Arts Council   July 21st  7:15pm                          

Jan Ru Wan and Megan Bostic collaborated on the current DAG show entitled Reconstructing Existence: I Create Therefore I am which will run through August 12th at the Durham Arts Council. This coming Friday, July 21st, Jody Cassell will present a movement piece in response to their work. Jody will be accompanied by dejacusse’ new soundscape The Drone of Aggrievement along with improvisations by vocalist Shana Adams and Morgan Fleming on violin. The performance will run from 7:15 to 8ish.

The art that you will experience that evening arises from a deep grief that enveloped the artists following the loss of a parent. Jan Ru, Megan and Jody have discovered mediums, forms, textures, patterns and relationships through found and intermingled objects and movement to allow their grief a public expression. Each person’s journey with grief is a singularity that we can witness and resonate with. The graceful power of these expressions of grief invite the audience members to reflect on their own grieving.

This is the third collaboration for Jan Ru, Jody and I; and our second with Megan. The first was in 2013 in the Seimans Gallery at Durham Arts Council. Resolving the Disquiet was the raw stage of grief where the memories of the parent’s presence and the shock of their loss was felt. Then last October at VAE in Raleigh, Jan Ru Wan created Separation and in-between an installation that was about reflection and connections across time and space. Jody and I improvised movement and sound offerings for both of these exhibits. Here is a link to more about the VAE show:  http://wp.me/p5yJTY-fd

The DAC show focuses on a renewed existence through creativity. The grief remains but brings energy and muse in relation to “what is.” The show is beautifully curated and very sculptural.

For this exhibit, I was inspired to create a drone in a carnatic scale that begins on Bb. Bb is the tonal center of much of the natural world. Cricket and frog calls, cicada songs and other more drone-like nature sounds tend to resonate in B or Bb. The drone is made up of long tones from this scale in large interval relationships. The 11th Harmonic is worked in to help disrupt any stuck energy.  I chose voices that pull at the heart (woodwinds and strings) and created audio effect racks to destabilize and texturize the sound. Wind is a featured sound texture along with snipping scissors, keystrokes, and Jody’s voice reading bits of her performance piece  Walking to Nairobi.  Shana and Morgan will improvise along with and independently of the soundscape – all as accompaniment to Jody Cassell’s dance piece.

Please join us this Friday, July 21, at the Durham Arts Council DAG Gallery at 7:15 pm.

The World is Sound @ The Rubin Museum

Last year, during a Human Origami movement workshop, the son of one of the participants added vocals to the soundscape. This was a spontaneous offering on his part and I was delighted. I tend to favor the bright and shiny high end of the spectrum with bells, chimes, vibes, etc. Matthew’s voice is deep, gravily and provided a beautiful balance to the scape. His voice became an integral part of the larger Nested Soundscape.

On a recent trip to NYC, Trudie and I went to the Rubin Museum in Chelsea to listen to their exhibit The World is Sound. It was an interesting and moving exhibition pointing to sound as the alpha and omega of existence! Yes, WoW! The Rubin is a museum devoted to artifacts and teachings of Tibetan Buddhism, so the installations included The Collective Om, which was a long loop of voices sounding Om. (Later we were delighted to find out that our hosts, Winnie and Phil Richmond, old friends of Trudie’s, had been among the Oming voices.) Le Corps Sonore presented ambient waves of sound that enveloped the spiral staircase at the Rubin. Here is a short sample going down the staircase:


I particularly loved the soundlings that are part of this section of the exhibit:


The human voice and spoken language played a large part in many of the sound offerings, so I listened intently to each one. One piece distorted the sound of spoken words, rendering them meaningless, but not before imprinting a verbal message that remained in my brain as the words failed. I am particularly interested in exploring the second question in my own sound work.

But the most amazing sound I heard that day was in a room on the fourth floor that held a reconstructed altar from a Tibetan monastery. A recording of chanting Tibetan monks plays in the room. As soon as I entered the room, I heard Matthew’s voice. The same gutteral resonance and shades of overtones that Matthew brought to the soundscape were permeating the room. I made a short recording, and have coupled it with an excerpt from Matthew’s accompaniment to illustrate:

It is amazing how we do not know who lives and loves among us!

Come hear iBoD this Tuesday June 20 ~8pm

Ted Johnson, a guitar and synth player from Raleigh, organizes Triangle Electro Jam for folks who love electronics with their music. The group has over 600 members on Facebook, and they sponsor gatherings several times a year. Next Tuesday at Nightlight Bar in Chapel Hill, TEJ will sponsor an evening of experimental music, and iBoD has volunteered to play. We are one of five acts including Professor Jaiz (who I met at Moogfest in 2016), Spookstina, 80 Lb. Test,  and Ty Lake.

This iteration of iBoD will include:

Susanne Romey on NA Flute, keyboards and toy piano

Jim Kellough on digital horn and whistles

dejacusse on Ableton Live, Akai APC Key25, and NA flute

We will be lacking in the reeds department as Eleanor Mills will be out of town that evening. We will miss her!

AND – we are looking forward to sharing our sound and hearing what the other players are presenting. Maybe the evening will end in a big ole electro jam!!

Sleep Deprivation

Our granddaughter, Jahniya, recently told us she is having trouble sleeping. Her mind races and she feels tired, but can’t sleep, so she listens to music or podcasts. I told her that she probably shouldn’t listen to anything before sleep as that could be keeping her awake. We talked about breathing deeply, running energy, and meditating as ways to relax and fall to sleep.  After we spoke, I remembered the power of “yes, do” over “no, don’t”, and decided to create a soundscape for Jahniya to listen to before sleep.

I am familiar with some of the popular music that she likes, so I listened to a few songs and zeroed in on a Bb major scale as the tonal color for her dreamscape. Using the piano keyboard as a template, the Bb major scale uses all of the black keys and the B and F. The tonality of the song she likes is in the piece, but it is cropped and stretched and layered with no words except “Good Night, Jahniya. We love you” spoken by Gigi at the very end. I hummed softly over one short section near the end of the scape.

Several weeks later and the soundscape is recorded. I had to experiment with the voicings to get the blend and definition I wanted. Then once recorded, I shape the dynamics, movement and placement of melodic statements through automation in Ableton Live. Since Jahniya will listen to this through earbuds, I mixed primarily through headphones, although I did listen through the QSC for perspective. Trudie listened to it and gave me some feedback, which I used to make the final soundscape mix in Audacity.

I ended up cutting the sound file in two parts and moving the end to the beginning. There is a part of the scape that is more energized and excited, as our brains are when we are teens (and hopefully beyond). That part happened closer to the end. I wanted to meet the brain where it is at and then accompany it to calm and sleep. Moving that section to the beginning made more sense.

The soundscape comes with instructions:

Listen to this soundscape as you fall asleep or anytime you want to relax. Listen to the scape as if it were a painting rather than a song. Notice the harmonic layering of the voices. Feel how it envelopes you like an ocean of sound. Notice how the voices move in and out and around in what seems to be your head. Let the swells reverberate through you bringing calm and peace. Let the soundscape gentle you to sleep.

With love, Juju and Gigi

Follow-up:

Jahniya was able to improve her sleep and successfully finish her first year of high school. Plus she used her experience to create a school project about sleep deprivation among teenagers with suggested solutions!

She is the future!