Video Clip from Celebrate SITES

Here are some short excerpts from the two plus hour happening that occurred on February 16th at The Fruit in Durham NC. This was a fusion event with tremendous activity oscillating throughout the space! The first 30 seconds or so illustrate a section of the soundscape where all the sound and visual components came together in a “moment” on the video. The primary dancer is Jody Cassell. You hear her voice and her mother’s voice in the soundscape.

Appreciations to Bill Romey for the video capture. Appreciations to Jody Cassell, Stephanie Leathers, Kim Gray, The Bipeds, LICE and all the movers. Appreciations to Tim Walters and The Fruit for hosting the event.

CELEBRATE SITES 2018 @ The Fruit

When one door closes, a better one opens! Such was the case for Stephanie Leather’s CELEBRATE SITES happening, when the Durham Hotel pulled out as venue (to make way for a “paying” client), and Tim Walter’s space The Fruit was available. This former fruit and produce warehouse is now a fluid, accessible, and raw performance space. Perfect for CELEBRATE SITES with it’s focus on Durham’s fast-paced urban growth (I counted three cranes hanging around downtown this week). On February 16, as part of Durham’s Third Friday events, SITES participants gathered at The Fruit. In retrospect, the venue switch was fortuitous as the sound part of the program might have tumbled the walls of the hotel.

Jody Cassell, my collaborative partner, continues to send me her Mom dialogues. I worked a number of them into a sound pallette. There is a narrative structure to what we are doing, so we prepped for the evening in our usual way. After I had setup and sound checked I mentioned to Stephanie that Jody and I wanted to start things off at 8. Stephanie said just start when you are ready. There will be no order. It will unfold as it will. A true happening!!

The sound collaborators set up in surround sound with me in the entryway corner, Curtis Eller on amazing banjo in the next corner, and guitar, synth, drum trio LICE cattycorner from me. As the evening progressed, Jody and I dropped our storyline. She became a slow, calm center in the storm of activity all around. I shimmered the edges, grabbed the lead a couple times with some idiosyncratic beats, and added harmonic content in places. It was me and my QSC filling space with a cadre of amps and a drum set. My sound pallette was dark, but sassy and a bit frothy. I got the sassy in at one point. That energy was in contrast to the heavy, pounding pallette the guys were playing. At one point, Jody’s mother singing fit in perfectly with a dirgy piece that LICE was leading. All in all, a satisfying experience.

The movers were an energetic organism, that swirled around and about in front of me. Limbs swinging, red pulsing shadows, people with chairs for shoes walking across the room. The dancers soloed, paired up, and dropped out at various times. In the fourth corner, Lee Moore Crawford and Michelle Gonzalez-Green built an altar to the earth, plants, water and #nosingleuseplastics, and dressed us in plant matter throughout the evening. Kim Gray and Stephanie Leathers offered photos of Durham sites and SITE events. And the audience moved about the space, mostly around the edges, taking in as much as they each were able. I am sure it was overwhelming at times.

After the performance, Ginger Wagg said an event like this should be happening at The Fruit every month.

What a great idea!

dejacusse’ Soundscaping Tool for 2018 – Novation Launchpad for Ipad

Novation’s Launchpad app has been around for years. I have it on my phone and Ipad, and have created several remix contest entries with it. The Launchpad app is fun, but provides a limited pallette unless one springs for the in-app upgrade, which I did during a Black Friday fit of consumerism. As it has turned out, this is the best dime I’ve spent in a long while! Now I can setup the trigger pads with my own audio loops. The basic effects can be modulated and layered to many satisfying ends. The sounds that come out of it are ever changing and evolving as my fingers do the walking on the Ipad screen.

So, for December’s SundaySites performance, I created a Launchpad project to accompany Jody Cassell’s movement story. Jody has shared recordings of playful, intense story dialogues she has with her Mother, of her own writings about grief and loss, and other vulnerable moments. She has entrusted me with a treasure trove of sound memories to shuffle through and bring in to the soundscape. The Launchpad app allowed me to move the narrative with greater improvisational freedom.

I pulled a simple narrative from their stories. To paraphrase: Jody is small and short because her Mother squished her, her Father agreed to this, the squishing made her small but mighty, her Mother went to Alaska and turned into a salmon, Jody could have accidently eaten her, and remember I love you. These snippets of dialogue/monologue were built into the soundscape. The main theme of the soundscape was a “music box” piano line and lots of driving rythmns, hissing cymbals, odd beats and sound manipulation. On December 3, 2017, we improvised for 90 minutes inside the Durham Visitor’s Center at 120 E Main Street. Fabulous space with a big reverby soundbowl at the entryway that narrows into a shoebox hallway. Here is a nine minute sectioned where I solo’d while Jody caught her breath. You can hear how powerful the Launchpad audio filters are at 1:20 to 1:40, where the gated audio actually gate-effects the voices talking in the background.

On February 16 Third Friday 2018 at The Fruit, all the 2017 SundaySITES artists will be celebrating Stephanie Leather’s wonderful community awareness/expression project. Jody and I will bring a fresh pallette of takes on our stories to this event. I am creating a piece about the magnitude of giving voice. There is a theme of “crying” along with catchy, glitchy drums and some rumbling vastness. Jody and her Mother have more stories to tell, and I am voicing overtones and mouth sounds, and possibly live vocals at the moment of performance. We are learning how to play with emotional baggage.

Most of the dance, music, sound performers and the photographers who documented the 2017 performances will show their work. It will be a great way to see the bigger picture of what SundaySites is bringing to Durham.

Sounding the Future

Sunday SITES December 2017 photo by Stephanie Leathers
stephaniepleathers.com

First and foremost, my deep appreciations to you the reader of this sentence. That you take the time to read about and listen to my world means more than I can express. It is my root intention to express my love and appreciation through sound offerings. Every message needs receivers. I am grateful my message has landed with you!

So many ideas for adventures in 2018. Having found my peeps at Moogfest and 919Noise, I intend to show up, be present and listen at more events. There are folks performing sonic works of art out there: Spookstina, Senator Jaiz, 80lb Test, Incidental Exercise and Ty Lake to name a few local sound artists whose work I have enjoyed this year. When the weather warms up, I’ll be out there! Maybe sooner as I want to hear 80lb Test on January 7 at Arcana in Durham. Oh, yes – need some love for the venues that feature sound performances: Nightlight Club, The Cave in Chapel Hill, Arcana in Durham, and Ruby Deluxe in Raleigh. Feel free to add to the list in the comments.

One adventure that will kick off the year is a drone piece I created as part of an exhibit at the NC Museum of Natural Sciences in Raleigh. I am part of a multi-producer team under the guidance of Eban Crawford (Senator Jaiz). Eban is the Audio Engineer for the museum and will mix our drones together for an hour long looping soundtrack for the exhibit. More on this soon!

Justin Tornow’s Company is starting up PROMPTS again on January 27, 2018. dejacusse will perform with Jody Cassell, and possibly solo as well. Looking forward to the return of this performance series to Durham. The prompt is experiment redux. Jody and I have A LOT of material for that PROMPT!

February 16, 2017 Third Friday Durham will feature all 2017 SITES performers at The Durham Hotel. Jody Cassell and I will collaborate and improvise with other dancers and musicians to shine a light on the SITES project. Stephanie Leathers -dancer, photographer and SITES Producer- encourages artists to stage dances and music in unusual locations throughout Durham. The idea is to bring eyes to, and consciously engage with the morphing Durham terrain. SITES is an Independent Weekly dance pick for 2017( https://m.indyweek.com/indyweek/the-top-five-dance-performances-of-2017/Content?oid=10468933).

Human Origami/Audio Origami- movement/sound explorations into the fold as the smallest unit of matter continues. (http://humanorigami.com) Glenna Batson, Susan Halpern and I have been workshopping this project for over two years. I now have some sound pieces for a portfolio of Audio Origami: meditations on the fold, which I will release in 2018 on Bandcamp. I am thrilled that Trudie Kiliru has agreed to create the cover art for the portfolio. I hope you will buy the album when it becomes available.

iBoD is on hiatus as we figure out what we want to do next. We are ditching public performance for now and just gathering to play together in the SunRa Room. We all enjoy this activity. It is sufficient! I hope we will play at Central Park School the Sunday after Moogfest to feature Eleanor Mills on the bells, Susanne Romey on Native American Flute and Jim Kellough on digital horn. Otherwise we will continue to stir up harmonic vibrations in north Durham.

TRIC Questions is still on the table. The idea is to treat the individual patterns of Terry Riley’s In C (TRIC) as rhythmic/melodic samples that can be voiced and placed in a variety of relationships to each other. For me, TRIC is but one way these patterns can be strung together. I want to structure improvisational workshops and create soundscapes using these samples. Terry Riley has listened to my work on this project and given me the go ahead. However, his management has not been responsive. To be continued…

Bill and Susanne Romey are working on a short film highlighting NC waterfalls. Here is a link to (Celestial) Signal Sailors, a fun musical romp with an intergallactic romance, which many local artists worked on a few years ago:

I am privileged to work with them on the soundtrack for the new film.

Novation Launchpad app for IOS has my attention of late. After using the app for SITES, I am working on creating sound clips in Ableton, importing them to Launchpad and sculpting sound. The FX are fantastic for really taking many snippets of sound and spread it, repeat it, echo and really swing and shimmer the harmonics. So my setup for performance is in transition at this time. Another possible addition will be an electroacoustic conversion of my Nanan’s autoharp. I plan to take the chording apparatus off, tune the strings in interesting intervals and apply contact mics. Laaraji who performed the sleep concert at Moogfest last year had two autoharps set up that way to a sweet effect.

From the sounds of it, 2018 may be even more amazing than 2017!

Obladi oblada to all!

Keep listening.

Audio Excerpt from Third Friday Performance

While Jody Cassell moved the energies across the room, Shana Adams, Morgan Fleming and I sounded around her. The sound reflected and supported Jody’s movement. In this excerpt, Jody was reaching for lost conversations, while Shana sang the words from Megan Bostic’s piece I Lost The Conversation, and Morgan and I stretched tones. I wish I had a video of the movement Jody responded with during this piece. It was a most beautiful fusion of visions.

Third Friday Performance@Durham Arts Council   July 21st  7:15pm                          

Jan Ru Wan and Megan Bostic collaborated on the current DAG show entitled Reconstructing Existence: I Create Therefore I am which will run through August 12th at the Durham Arts Council. This coming Friday, July 21st, Jody Cassell will present a movement piece in response to their work. Jody will be accompanied by dejacusse’ new soundscape The Drone of Aggrievement along with improvisations by vocalist Shana Adams and Morgan Fleming on violin. The performance will run from 7:15 to 8ish.

The art that you will experience that evening arises from a deep grief that enveloped the artists following the loss of a parent. Jan Ru, Megan and Jody have discovered mediums, forms, textures, patterns and relationships through found and intermingled objects and movement to allow their grief a public expression. Each person’s journey with grief is a singularity that we can witness and resonate with. The graceful power of these expressions of grief invite the audience members to reflect on their own grieving.

This is the third collaboration for Jan Ru, Jody and I; and our second with Megan. The first was in 2013 in the Seimans Gallery at Durham Arts Council. Resolving the Disquiet was the raw stage of grief where the memories of the parent’s presence and the shock of their loss was felt. Then last October at VAE in Raleigh, Jan Ru Wan created Separation and in-between an installation that was about reflection and connections across time and space. Jody and I improvised movement and sound offerings for both of these exhibits. Here is a link to more about the VAE show:  http://wp.me/p5yJTY-fd

The DAC show focuses on a renewed existence through creativity. The grief remains but brings energy and muse in relation to “what is.” The show is beautifully curated and very sculptural.

For this exhibit, I was inspired to create a drone in a carnatic scale that begins on Bb. Bb is the tonal center of much of the natural world. Cricket and frog calls, cicada songs and other more drone-like nature sounds tend to resonate in B or Bb. The drone is made up of long tones from this scale in large interval relationships. The 11th Harmonic is worked in to help disrupt any stuck energy.  I chose voices that pull at the heart (woodwinds and strings) and created audio effect racks to destabilize and texturize the sound. Wind is a featured sound texture along with snipping scissors, keystrokes, and Jody’s voice reading bits of her performance piece  Walking to Nairobi.  Shana and Morgan will improvise along with and independently of the soundscape – all as accompaniment to Jody Cassell’s dance piece.

Please join us this Friday, July 21, at the Durham Arts Council DAG Gallery at 7:15 pm.

Tobacco Road Dance Productions: In Concert 2017

Very excited to once again be working on a soundscape for Tobacco Road Dance Production’s 2017 concert. Last year, Jody Cassell used iBoD‘s recording some kinda waltz for her Tobacco Road Dance performance I’mPossible. Jody both performed the piece and presented a dance film. This year I am working on a soundscape for Jade Poteat’s company.

A bit more about Tobacco Road Dance Productions: For the last three years, this company has brought together dancers and choreographers in a community process that is usually relegated to “the Academy”. This excerpt from their mission statement sums it up well:

Tobacco Road Dance Productions produces, supports, and encourages local dance in North Carolina’s Triangle region. Our annual concert provides area choreographers the opportunity to present their work in a fully produced and marketed performance. Each presenting choreographer works with a team of professionals to evaluate and improve their dance-making and writing skills. We provide networking and mentorship opportunities for emerging choreographers and dancers by involving established professionals in the adjudication and feedback process. Tobacco Road Dance Productions develops greater quality in local dance by engaging participants of all experience levels throughout the entire creative process. The presentation of a shared show creates performance opportunities that might otherwise reach beyond individuals’ financial and audience outreach capabilities and provides further incentive for young artists to remain in our growing artist community.

This is community alchemy – when we take what is right here, right now and create opportunities for as many artists as possible. Having witnessed much of the process last year through Jody’s involvement, it is an incredibly powerful and growthful experience. If you want to invest in the future – here is a good place to start: http://www.tobaccoroaddance.org

Unlike last year, I am coming into the process a bit later, attending my first rehearsal with Jade Poteat’s group in January. I met the dancers and witnessed what they have thus far created. I was inspired and impressed. They are working with the broad theme of “identity”. Jade’s dancers executed her choreography of movement tableaus of identity- with all the oddity, mimicry, earnestness and attitude that come with “identifying”.

We talked about soundscape, and Jade suggested each dancer have an identifying theme or motif. These could clash and harmonize and intermingle. And we agreed that the scape should move in and out of stretches of ambient silence. Jade had the idea of including the dancer’s voices in the soundscape. Part of the group’s process was to talk about dance, identity and what it all means to each of them. Jade recorded these interviews and gave me access to the interview files. I analyzed each dancer’s voice, locating the central tonality and common pitches within their inflection patterns. By isolating multiple moments of Dr. Diana Deutsch’s Speech-to-Song Illusion in each dancer’s voice (see http://wp.me/p4dp9b-e2  for an explanation of this phenomenon), I began sculpting a soundscape out of these lilting bits of speech. In order to capitalize on the melodic content, I created an Audio Effects rack that distorted the speech and amplified the harmonics.  The human voice is extremely personal, and a deep root of identity. Allowing their voices to be included in the soundtrack requires a great deal of vulnerability and self-acceptance on the part of the dancers.

Several weeks later, I have created a dozen sound sketches around Speech-to-Song Illusions in the dancer’s interviews. Some sketches have multiple voices as an underpinning, some have an individual voice as the harmonic and/or rhythmic driver of the sketch. Then I have interwoven some strings, piano, drums and vibes to create a melodic framework for the voices. Here are examples with multiple voices:

Here are sketches with one voice:

Jade has selected the sketches she wants to use and asked me to build some clear 8 count rhythms into a couple of them. And she has recorded herself and the dancers reading Mary Oliver’s Wild Geese, which will end the piece. At tomorrow’s rehearsal we will record the soundtrack along with the dance to get the timings of the sound and silence.

Now we have a soundtrack for the dance. I am doing the final mix and mastering passes to the audio. (Interestingly, the opening of the piece is a pulsating current of the dancers’ processed voices, while the end is their distinct voices articulating the poem.) So excited to hear this piece filling the theatre while the dancers execute Jade’s evocative choreography.  Please come see/hear I am Deliberate – part of Tobacco Road Dance Productions: In Concert 2017.