iBoD is producing a pop-up sound installation which will have its first expression as part of SITES: reset on Feb 27 2021 at The Accordion Club Durham. The soundscape for this installation will be recordings of people giving thanks in whatever language, in whatever tone of voice feels genuine and right. These voiced gratitudes will be mixed into a sound collage with ocean waves and played through many small speakers. As this wave has evolved, there is now room for recorded gratitudes of all kinds. People are sending songs, chants, electronica, field recordings. All deeply heartfelt expressions of gratitude are welcome!
We are gathering gratitudes from all over the world. No matter how difficult times are, there is always something to be grateful for. My Mother taught me this life lesson, but I resented hearing it as a child. I felt entitled to cling to and suffer all my disappointments and sadnesses. In recent months gratitude goggles have kept me alive and in the moment!! In addition, this time has helped me realize how often I have been ungrateful in my life, and I want to begin again with greater gratitude and love. Since I observe that oscillations/waveforms create reality, Waves of Gratitude is the vibrational reality I desire. I would love for your voice to be a part of it! Record your invocation of gratitude and email the audio file to firstname.lastname@example.org.
For best sound quality, record indoors in a quiet space with little to no background noise.
Use Voice Memo recorder on your smart phone, when finished tap the Share icon (the one that looks like a three-sided box with an arrow inside.) Choose email, and send to email@example.com.
If we are friends on Facebook Messenger, you can send a recorded message. Message me, then tap the icon to the left of where you type the message, this will open a small window where there may be a + or a microphone icon, tap the + and you are recording, when finished, tap the large paper airplane arrow to the right of the message box and voila! your gratitude is delivered.
In addition to the installation, dejacusse will broadcast the waves over Radio iBoD/dejacusse at specified dates and times TBA.
Email me if you have questions and spread gratitude with us in 2021 and beyond!
Well, my short-lived journey into configuring Ableton Live as a synthesizer has come to a halt with the purchase of a Behringer Neutron at Moogfest AND with the Ableton announcement that they are Beta-testing CV plug-ins for Ableton 10. I am soooo excited with this direction.
My experiments with creating modulation FX using “dummy clips” or Envelope Generators yielded some new directions for iBoD and dejacusse. We are experimenting with running live sound through the FX tracks and EG clips. This coming Sunday, we will perform The Place ReSounds of Water in front of the Central Park School for Children. Eleanor Mills will play The Bells, dejacusse will morph the bell harmonics into a watery pallette that Susanne Romey will play NA flute over top. There will be meditative movement and the pouring of water. Come join us!
Sunday May 19 @4 pm
724 Foster St @The Bells
My quest to synthesonize Ableton Live has taken an exciting new turn. Last Sunday, we discovered that by micing The Bells at the Central Park School Soundgarden, I can run that sound through Ableton and into the various synth modules and FX racks I am building. What happens is that the Abeju Synth Modules and FX Racks capture most of the harmonics that arise from Eleanor’s bell playing. The harmonics can be shaped by envelopes and attenuation and, of course, granular synthesis. My goal is to gradually shape the bell harmonics into a watery stream sound. This will be part of the soundscape for The Place ReSounds of Water (TPRSW) on April 14th at 4pm for SITES Season 2018-19.
When iBoD first started playing with The Bells, I recorded and analyzed their harmonic content. These bells are former compressed air tanks with the bottoms cut off, so the metal is not pure, it is some kind of alloy. This translates to lots of harmonic AND enharmonic content! A pure metal would render more pure harmonics. These pure harmonics are pretty, often beautiful, but my ear grows tired of the stasis of it all. The idea of purity in all of its forms is an illusion that leads to much misunderstanding and anguish in the world. Think about what striving for purity has given us: genocides, fascism, chronic autoimmune diseases, disconnection from and attempts to conquer nature, diminished empathy, and on and on. It is my prayer that riding and faithfully playing All the en/harmonic waveforms will encourage evolutionary growth. That is what I am going for!
TPRSW is my first attempt to sync up with the National Water Dance. My timing is off as this is not the year for National Water Dance, however I am hoping this will kickoff some interest for 2020. The idea for TPRSW is to give prolonged loving attention to water in the form of sound, light and the liquid itself. The soundscape will consist of Eleanor Mills playing The Bells, dejacusse aka Jude Casseday capturing and playing the en/harmonic waves from The Bells and morphing them into a watery feeling soundbed. Then Susanne Romey will play Native American flute over that for a while, then we start the wave again. The movers will pour water from vessel to vessel. An altar of flowers may be built. The whole thing is a mystery.
Our location at the Soundgarden at Central Park School gets full afternoon sun, so the visuals might include sparkles and shimmers of water. We could be lit up! If it is overcast, the air will be moist and the sounds of water will carry more clearly. If it threatens rain on Sunday, we will do it on Saturday instead! Or, perhaps, we will figure something else out and perform as it rains.
Whatever we do will be in praise of water!