The Modular Boat Has Sailed!!

Eight months ago, the Elektron Model: Samples became part of my sounding board. (Here is a blog post about some preliminary explorations- https://wp.me/p5yJTY-Ch) When the MS started having key sticking issues, and the Global Reset rendered repairs inaccessible, the sounding board landed in limbo land. During this dreamy time, I realized/remembered that I want to play Control Voltages. The MS is a audio/midi device that can sequence synths that accept digital signals. CVs are another realm entirely! Although many synths can be stimulated by both types of signals, the depth and breadth of CVs is unparallelled to my ear.

Thanks to the flexibility of Sweetwater Music and the take charge attitude of my Sweetwater Sales Agent, Paul Allen, the MS (and a little cash) was exchanged for a Make Noise O-Control!! FINALLY, I have a voltage controlled modular set up as I pair this sweet thing with the Behringer Neutron!! Here you have it:

Today is the fifth day of play with my mini-mod, and I am happily patching, playing, studying manuals and/or Patch and Tweak, and deeply listening. Here are some sound samples from my first week’s play.

Modular Sampler Wk 1

Imma gonna be here for a while…

Listening to the Micro-Environment

Thanks to Nancy Lowe from AS IS Center near Penland School, I am “new best friends” with Mark Boyd. Mark is a sound artist who records and amplifies the “voices” of plants, ants and flowing water: the realm of the tiny vibratory world. Talk about deep listening! Mark has been using electrode sensors on plants into a Volca Synth to listen to the electrical life force within the plant! He sent me recordings of his “biologues” with Bleeding Heart and Fern, and Dogwood. The playback presents us with a lot of fast-paced random sounds. Mark is interested in transducing this data into something people might listen to. Here is an excerpt from Mark’s Bleeding Heart and Fern biologues:

Excerpt MB BiologueBHnF

Ableton Live contains numerous tools for transposing/transducing/converting sonic data. An audio clip, such as the one you just heard, can be converted into midi clips; one that renders melody information, and another that renders harmonic information. So now we have audio information rendered as 2 packets of midi information. Within Ableton, midi files can be collapsed or stretched across a timeline and still maintain the integrity of the rhythmic intervals. Midi data can be assigned to a “voice” that feels representative of the sound artist’s impressions of the particular plant that is speaking. Midi data can be fed back into a synth such as the Volca to complete the circle.

The scaling of the time frames of the midi clips is exactly what is needed to help us “hear” the biofeedback from the plants. Doubling the length of the midi clip slows the overall “tempo” and helps us to listen into a kind of river of sound emitted by the plants. Slowing down allows us to tune into a rhythmic cohesiveness that is obscured by the frantic pace of the plant’s raw electrical impulses. We inject spaciousness into the mix in just the right amount, and it sounds like something is being communicated.

After finishing the new rendering of the data, I sent this to Mark:

Excerpt Biologue BHnF Remix dejacusse

He was ecstatic, over the top about all the possibilities of Ableton. He downloaded the Lite version and took off with it. We had some great email exchanges and he sent me samplings of his tests and experiments with the flora around his mountain home. Here is a beautiful example with a plant in Mark’s home:

I look forward to Mark putting together an orchestra of local flora in concert in the near future. In the meantime, I am enjoying dialoguing with another human being who is listening as deeply as I am.

The Larger Oscillation

Periodically throughout the day, I focus awareness on the realization that one of the basic building blocks of the entire material world as we know it is– the oscillation. All of my personal and all of our shared experience is comprised of waveform oscillations modulating each other. This pattern driver of existence is active from the quantum to the cosmic scale and all stops in between, including the sliver we call “material reality”. Take a deep breath into THAT awareness! It has the capacity to expand “being” way beyond this mortal coil.

Signal sources, harmonics, filters, amplifiers, attenuaters, etc. all shape the place we call home. This is not a static activity, although we are obsessed with nailing it down and calling it stable. To be fair, our egoic phase needs the illusion of constancy cocreated by our corporeal senses + time. It is scary to allow in all the buzzy sensations of the multitudes of oscillations interacting within and through us moment to moment. It can shake and crack the hard linear shell of “Reality” we impose on this extremely fluid existence. But once, some cracks and crevices soften the shell, we can tune in and ride the dyhedrals of the great structured chaos out of which life arises, our true and only home. All the necessary tools are available to us:

Focused awareness in the now.

Deep listening (way deeper than ear listening).

Adaptability to a looser, less bound-up, more centered and flexible way of being in the world.

And, most importantly, forgiveness.

Sound, due to its oscillating nature, impacts the structure and movement of material reality. So do flapping butterfly wings. So do thoughts and emotions fully felt and released or shoved away and blamed on others. So do bombs and bullets. So do words of harm and ridicule. So do love and compassion. So does forgiveness. Each moment we choose a platform (or it chooses us) and then we actively modulate our consciousnesses into existence, as we ourselves are modulated by all the struck and jostling oscillations.

What a world! What a world!

The Dance of Ego and Consciousness

I love how life, when allowed, unfolds in diverse and beautiful ways. The Culture of the Human Organism (COTHO), which we all create together, was/is formed by the interplay of humans doing and humans being. We, individually, have the ability to DO busy worker bees and to BE still, vast awake beings. Doing and Being are the yin/yang of living. They exist on a continuum, like a cross-fader mixing two signals, and we move the fader around by focusing our conscious awareness.

The DO is about identity, achievement, leadership, playing well with others. The DO is fitting into and identifying with the material realm/the world/COTHO. The DOer seizes the day and makes a life, The DOer gets things done, gets rewarded, and so gets more things done, often achieves some level of what we call “greatness” or, at the very least, strives for greatness. DOers think, plan, coordinate. They are busy doing and making the world. Egoic mind, beliefs, values, thoughts, stories and meaning are parts of this realm.

This realm manifests COTHO! The Organism is rich, and in constant motion. It seems to be expanding just as the Universe seems to be expanding. The Organism is The World. Ever since we were kicked out of the Garden, COTHO has been making The World in an image of the Garden. And with so many individual shattered segments DOing The World right now, the primary direction seems to be “more”, “further”, “faster”.

The BE is about shedding worldly identities, expanding consciousness and being fully in the present moment. All there is is NOW! (la- la lalala) BEing is still, alert and attentive. BEing exists in a state of timelessness. BEing finds the world mostly humorous, and a little sad. BEing allows everything that is enfolded in the present moment to be!

Newborn babies have a tremendous. capacity for BEing. Adults recognize this energy in babies. This is why we love them so much, love being with them- they are awash in being, thinking no thoughts. Babies are pure presence. Alas, too soon, babies become ensnared in human doing. My highest wish for every child is that they protect, develop and cherish their BEing, and not let conciousness become obliterated by the push to identify and the exaggerated need to belong.

I have struggled with this all my life. Since I was very young, I felt slightly out of touch with 3D reality or The World. “Just wait till you get out in the real world!” said many adults I encountered. I was never sure what “real world” they were referring to. So I tried to find this “real world”. I looked for it in my parents, teachers and other signifigant adults, in school and church, in communities, close friends, colleagues, in educational degrees and lesbian feminist identities. I looked (and found) what felt the most real to me in intimate relationships: lovers, dear friends and co-creators – those people with whom you stay up all night, dancing around the fear of/desire to completely open and merge with another. I really felt I found the real world there, but it turns out, there is more! With each decade, great swaths of many Worlds revealed themselves to me and the journey has been heartfelt and mostly joyful – even when suffering, I give myself over to it and enjoy the whole experience immensely.

Luckily, many people have cared for, connected and collaborated with me over these years. I love all of those beautiful people, and I have not always made it easy for them. The sense of myself was small and huge at the same time, always bouncing between these extremes. I had faith in consciousness even as I distrusted it. I let my egoic identity make me small and mean at times. This still happens, but the voice of consciousness is clearer, and ego can be lovingly attenuated to allow that still, clear voice to come through. Today, as I sit in this beautiful present moment, I give thanks to all who were right there with me in all those wonderful Nows of the past.

As Holly Near sings -“The past has brought me brilliantly to here!”

Synthesizing in Ableton Live: External Effects Pedal (fail)

Dear friend and compadre, Karim Merlin, loaned me a guitar pedal. He recently purchased an Earthquaker Levitation pedal, which uses delay, tone and atomosphere to mix a versatile reverb with lots of space to explore. Since I am moved to play all the harmonics through synthesized sound, a guitar pedal gives me a chance to experiment with routing hardware effects through Ableton. I was very excited to try it out.

The wind left my sails when I YouTubed for some supportive info and learned that, in order to get the signal from my ukelele/or vocal mic through the pedal into Ableton and out to auditory cortexes, I need a reamp box between the pedal and the sound card, and a preamp box between the soundcard and mixing board. This has to do with matching the signal out and the signal in to the same impedance. Signal routing is the great labrynth of synthesized sound in my mind. Signals can be sound energy, electrical energy, can be boosted, attenuated, colored, and fed back onto and through each other. And, when it comes to hardware, signals must match somehow. Something to do with the energy of the signal. This part eludes my understanding so far, and I am eager to grok it! And what better way then to simply play.

The NI Komplete 6 soundcard I use has phantom power, which amplifies the signal in certain microphones. The Behringer mixing board has several ways to elevate the signal. Perhaps these will suffice? When I ran the electric uke signal through The Levitation there was a little bit of signal and a whole lot of noise. I tried playing with it within Ableton to see if I could make the noise blend, but no. A vocal microphone sounded the best, but wasn’t a sound I wanted to cultivate. The YouTube guy may be right. I need to build an empire to use pedals through Ableton.

So I end up back in Ableton, playing with all their reverb configurations and making a few of my own.

And I am still wanting a few more 3D knobs and sliders. I am anticipating that my next big sound love may come my way this week via Moogfest!

Minding the Oscillations

Reading deeply into sound, physics, chemistry, and nuerobiology, it becomes clear that lived experience is comprised of waveforms modulating each other. These waveforms weave around and through us. The waves are different frequencies and different amplitudes, they have different shapes and resonances AND they interact with each other, all of which creates various densities of matter. As extreme examples, there is a diamond and a thought. These extremes define the boundaries of material experience – the hard shell of the matrix we exist within. There is more beyond these boundaries, and the more seems to be the field of conciousness.*

With this as a basic understanding, it is my intention to mind the oscillations, particularly those that eminate from my human being/my earth suit/the event horizon of my world. The waveforms I conjur come into phase relationships with themselves and with the waveforms of other human beings as we event our common reality/the hard-shell matrix. This is an amazing realization! This realization sheds light on a major question I have danced with in my life:

How can I be more loving? So much of my living is spent seeking love from “the world”. That was my quest for the first half of my living experience. While it does hurt so good, I finally realized the question is framed in an unhelpful way. So I am moving from how can I get more love, to how can I be more loving?

My most important practice for exploring this question is awareness and presence in the moment. We have been listening to Eckhart Tolle go on and on about this. He works very hard to articulate awareness/presence in all the ways that might possibly bounce around (or cut through) the mind. Listening to ET, I am aware of the trinity of self, egoic mind and conciousness all walking into a bar. (It is a good practice for them to stick together, although the bar was probably egoic mind’s idea.) These three are waveforms of their own, and their interactions eminate into manifest world! These two thought-fields (waveforms of matter and awareness through being) intersect at my heart.

One definition of oscillation (from physics) is

regular variation in magnitude or position around a central point

This aptly describes the interplay of these two planes intersecting through me at heart center. I feel this most intensely when I am sounding harmonics through a space. Especially using modular synthesis – with all the operators, envelopes, slopes, attenuations, triggers, gates and frequencies- to create actual sonic forms in space. At present I play with Ripplemaker ios app from Bram Bos. It is great to learn on. Ableton can function as a synthesizer. This is my focus at present- to configure Ableton into a synthesizer. (I am deeply desiring a modular system, but must go slowly due to funds. So work with what you have!)

This first week of 2019 – a new year (marking earth’s intersecting oscillations with the sun, moon and stars) brings some interesting mantras –

Listen more deeply, mind the oscillations, propagate harmonic vibrations, learn to play with forms, depersonalize the whole thing! The WoW

Alrighty then!!…on with the emanations!

*These books have informed my thinking about all this:

Long, Manya J. The Psyche as Interaction (Electromagnetic Patterns of Conscious Energy)

Lanza, Dr. Robert Biocentrism and Beyond Biocentrism

Sleep Deprivation

Our granddaughter, Jahniya, recently told us she is having trouble sleeping. Her mind races and she feels tired, but can’t sleep, so she listens to music or podcasts. I told her that she probably shouldn’t listen to anything before sleep as that could be keeping her awake. We talked about breathing deeply, running energy, and meditating as ways to relax and fall to sleep.  After we spoke, I remembered the power of “yes, do” over “no, don’t”, and decided to create a soundscape for Jahniya to listen to before sleep.

I am familiar with some of the popular music that she likes, so I listened to a few songs and zeroed in on a Bb major scale as the tonal color for her dreamscape. Using the piano keyboard as a template, the Bb major scale uses all of the black keys and the B and F. The tonality of the song she likes is in the piece, but it is cropped and stretched and layered with no words except “Good Night, Jahniya. We love you” spoken by Gigi at the very end. I hummed softly over one short section near the end of the scape.

Several weeks later and the soundscape is recorded. I had to experiment with the voicings to get the blend and definition I wanted. Then once recorded, I shape the dynamics, movement and placement of melodic statements through automation in Ableton Live. Since Jahniya will listen to this through earbuds, I mixed primarily through headphones, although I did listen through the QSC for perspective. Trudie listened to it and gave me some feedback, which I used to make the final soundscape mix in Audacity.

I ended up cutting the sound file in two parts and moving the end to the beginning. There is a part of the scape that is more energized and excited, as our brains are when we are teens (and hopefully beyond). That part happened closer to the end. I wanted to meet the brain where it is at and then accompany it to calm and sleep. Moving that section to the beginning made more sense.

The soundscape comes with instructions:

Listen to this soundscape as you fall asleep or anytime you want to relax. Listen to the scape as if it were a painting rather than a song. Notice the harmonic layering of the voices. Feel how it envelopes you like an ocean of sound. Notice how the voices move in and out and around in what seems to be your head. Let the swells reverberate through you bringing calm and peace. Let the soundscape gentle you to sleep.

With love, Juju and Gigi

Follow-up:

Jahniya was able to improve her sleep and successfully finish her first year of high school. Plus she used her experience to create a school project about sleep deprivation among teenagers with suggested solutions!

She is the future!

Messages from the WoW

img_0348

The latest signs from the Wave of Wonder (the WoW) are pointing me toward hangups. Attending to my hangup of the moment is easily avoided – except for those little reminders: the tug as my shirt gets caught on a knob, my jacket snagged in the closed car door, jerked back by the garden hose wrapped round a tree root.  Everytime I get one of these reminders from the WoW, I stop and ask myself : “What am I resisting?”

Often I am resisting THE MOMENT. I engage in distracted thinking about someone I love who is ignoring me or some activity I would rather be doing than the one at hand. I engage in stories of disapproval from others, resentment over perceived slights,  and general feelings of not mattering and not being important.

When I entertain these thoughts – and their good buddy, painful feelings – I am lured out of this moment of being by my mind and my story. The actual physical manifestation of the hangup jerks me back into the moment. 

I appreciate the very pointed choreography, and will continue to ride my awareness toward presence in the Now.

Thanks, WoW!

Carried Wisdom

image

I have a friend whom I have not seen in many decades. We now communicate on Facebook. We shared a connection in high school, then I moved away sophomore year. I am not good at maintaining long distance relationships – being a right here, right now kinda girl! The present moment is very full, but I want to expand my awareness to include those I love who are not in my immediate proximity.

My friend had a difficult and painful 2016. She surrendered much, participated in great healing and is moving through the experience with much love and gratitude. She is in my thoughts alot these days. We have shared jokes and love memes on Facebook. She has listened to some of my soundscapes and is open to the vibrations. I wanted to create a soundscape for her journey.

I have not heard from her in a while and I am sending waves of loving vibrations her way via the soundscape entitled Carried Wisdom.