2015 ushers in a burst of creative energy with many potential collaborations hang-gliding out there, and lots of time and space in the studio. Trudie gave me an Ableton Live upgrade, so I am now using Ableton 9. Excited to explore all the new features and hear how much more expansive the audio field is in the latest upgrade. I have only upgraded twice, but each time the Ableton Team has improved the functionality and expressiveness of the software by building on the strengths of previous versions. Upgrading always makes me nervous especially when I am perfectly happy with what I am using, so it was very satisfying to jump right into Ableton 9 and be delighted with the sound immediately. The upgrade includes new instruments and samples. (I don’t use the loop libraries as I prefer to make my own loops.) Much to explore and learn as I convert all my projects over to the new platform. Plus I am taking a Coursera course on Ableton Basics through Berkeley School of Music in February. That will be helpful as the instruction will be based in the new version. It will be like a four week tutorial!
Trudie and I are committing to spending time in our studios everyday. We identified “home” as a topic we both want to explore in our art. We have had several hours of discussion about different ways of relating the idea of “home”. I keep wanting to cover home up, obscure it so that everything that home contains is set free. I started with trying to cut the fundamental tone out of the recorded wave form leaving only shimmering harmonics. (“real” sound engineers would be laughing very hard right now) I thought,”If I can cut off the attack, I can erase the fundamental tone.” But, no! Where EVER the sound begins is the attack, so a fundamental tone is always present. The tone is like an earthworm in reverse, you cut off it’s front and it makes a new front.
So I decided to back into exploring “home” by working on “New Music 4Trude” since she is a big part of what is “home” to me.This piece came about because we have seen two really fine versions of the musical, Ragtime, and Trudie loves the song “New Music”, which is about how the new music of ragtime touched and connected people. When I think of ragtime, I think of a one-two rocking feel and a simple, cheerful melody. Yesterday we listened to the song and I asked her what she liked about it. She said it made her feel like dancing. I can’t really feel a dance beat in it except for gentle rocking. I will study this song more deeply.
Right now there is SO MUCH information coming to us from the Universe/the Divine WoW/ God. Everyday I receive a new understanding about myself and my beliefs/perceptions and how we shape the world together. In meditation the challenge has been identified as feeling warm and loving heart connection with people who I do not feel love me back. You know how easy it is to love someone who is looking at you, seeing you, loving you. The heady out-of-this-world feeling of a deep and special connection with another. The kind of feeling that makes you feel impatient, bored and disdainful of having to spend time with those who are NOT the beloved. After years of chasing this felt ideal and withholding myself from anything (I perceived to be) less, I have woken up to the here and now. I WANT to be FULLY present to love in this space and time. I WANT to deeply connect with and SEE others as much as I want to be seen and connected with.
I believe this may be the path toward home.
2 thoughts on “New Year, New Sounds, New Ideas”
love the idea of re-defining and living into ‘home’ as you now experience its new freedom, openness. Adelante! warmest wishes for 2015, love, Glenna
Beautiful openings and expressions of awareness, Jude. What has been coming up for me lately is “this is as good as it gets”, not like it is less than but more than and reminding myself to be open and grateful to the GOODness in the moment.