Susanne Romey

Waves of Gratitude 2022

A year ago, I sent out a call to participate in Waves of Gratitude, a never-ending sound art project. The initial wave debuted as a popup installation for the SITES performance happening in February 2021. So many people responded, some whom I have not spoken to in decades, and now they are a permanent part of Waves of Gratitude 2021. In late December 2021, I recorded my friend, Marg Roesch, playing Bach Inventions on the piano in her co-housing community’s Common House. She goes there to play multiple times a week…just for the joy of it! So Marg and Bach end the first Wave. I am grateful to Marg and Gary, Kehoe, Jill, Lori, Francine, Bill, Susanne, Robert, Christopher, Matt, Shawn, Chelsea, Trudie, Ronnie, Jody, Stephanie, Jim, Eleanor, Holly, Kathy, Tembo and Sotar for jumping into the Waves with me.

In the beginning, I envisioned all my old friends and collaborators sending me their audio gratitudes. There is a special email box just for gratitudes -ibodgwave@gmail.com! Audio gratitudes can be instantly recorded on Messenger if we are friends on Facebook! Speak text to my phone! And there was an influx of lovely expressions of gratitude, but then it stopped and no more came. And many people who I hoped would contribute, did not. I felt like Puff the Magic Dragon for a while, but then my inner guru said “Hey, grrrl, this is about gratitude. Let’s go make Waves!!”

So Waves of Gratitude 2022 will kick off the year with the first monthly full moon radio broadcast! I remain hopeful that more folks will just spontaneously send a recording. If you jumped in last year’s Waves, jump in again. I know I am asking alot, and many people do not like their recorded voices. I will lovingly place your gratitude offering in the Waves with great care. Please listen to the 2021 version of Waves of Gratitude to experience the loveliness of human voices expressing gratitude. Listening may inspire participation.

The broadcasts will include revisits to the 2021 Waves, all contributions sent to the 2022 Waves, LIVE improvisations, iBoD recordings, maybe a few choice words, who knows? Broadcasts will occur one hour before and one hour after the full moon zenith!

January’s broadcast will happen this Monday, January 17th from 5:45 pm to 7:45 pm and you can stream it here-

https://www.radiomast.io/station/ffa9c47f-f6bd-4eb9-ad61-c2c636ca88ca/pwa/app

Just tap the play button on the player and you will be there!!

Waves of Gratitude Broadcast via Radio iBoD

Watercolor by Trudie Kiliru

On Saturday, the Ides of May 2021, the first broadcast of Waves of Gratitude over Radio iBoD happened! As I listen to the broadcast, there are dynamic sonic textures, human voicings, symphonic harmonics set within the ever-present Oceanic Wave! This is a 33 minute loop that begins with a cacophony of voices all expressing thanks for something, anything, everything, and then morphs into a cosmic river of sounds and verbal sound bites. The soundscape is a kind of bardo journey away from the prison of the human mind. Think of it as a gratitude cruise down the River Styx!

Waves of Gratitude is the largest and most ambitious collaboration I have ever attempted. Thus far, there are 21 collaborators from Raleigh-Durham, Costa Rica, California, NY, Hawaii; some family, some friends from decades ago, some people I do not know personally, and most have shared some form of creative collaboration with me over the years. These twenty-one responded to the inital call and for that I will be forever grateful! I love you all so dearly and uplift this vibration even if the timing might seem to suck!! It is a radical act to live with genuine appreciation and joy in a world addicted to judgment, fear and suffering!

Trudie Kiliru, Matt Casseday, Shawn and Chelsea Casseday, Lori Mathias-Thomas, Gary Balfantz, Ervin Dacoscos Malalis, Ronnie and Jody Cassell, Cathy Stanwyck, Holly Snyder, Tembo, Francine Farina, RT Skully, Christopher Skully-Thurston, Sotar Hoffman, Jim Kellough, Eleanor Mills, Stephanie Leathers, Jill Pavlak, Linda Carmichael, Bill and Susanne Romey.

The next Wave will break on June 1st, which is my Mother’s 91st birthday. I did not appreciate her wisdom until now and this project flows from what I understand from her being. One addition to the June 1st set of Waves will be a favorite e.e. cummings’ poem I set to music many years ago. I sing it everyday and will toss it into the Wave on this auspicious occasion!! Waves of Gratitude will broadcast for 12 hours on that day!!

As more of you send your gratitudes, the Wave will echo and amplifiy for years to come. What are you feeling joy about in this moment? Grab your phone, use the voice memo recorder to capture your gratitude, and send to ibodgwave@gmail.com.

National Water Dance 2020

TODAY, April 18th, iBoD is taking Durham to the National Water Dance! At 4 pm today, Jody Cassell will dance with the trees, the breeze, the sunlight and the water to iBoD’s Carnatic Water Music. The original plan was to create a watery container of sound, projections and flora through which Jody Cassell would lead the movement. Several other dancers including some of Jody’s young dance students were excited to perform this event at PS 137 in downtown Durham. Well, you know what happened! With so many cancellations, NWD leaders decided to go ahead with the dance as a streaming event. We will have Jody dancing to iBoD’s Carnatic Water Music at 4 pm this Saturday on Instagram Live from the safety of her home.

Here is some background on National Water Dance drom their website:

National Water Dance is a catalyst that encourages ongoing engagement between dance and the environment. Beginning in 2011 as a statewide project in Florida, it now boasts 65 locations across the United States—in 2018 including Puerto Rico for the first time. With each event National Water Dance recommits itself to the effort of increasing purposeful awareness to drive action on environmental issues, specifically climate change. Supporting the work of participants beyond our bi-annual event, National Water Dance spreads the word on the environmental issues they are tackling through monthly newsletters and social media. Our goal is to realize the power of dance as an engine of social change.

In the spirit of this mission, Jody suggests, through her movement choices, elements of this “engine” that are not as visible as issues. Stillness, slowness, wonder, and (dare we say it!) JOY in being right here and right now and moving! The soundscape Carnatic Water Music articulates and ensounds a few of the ways that water can move! To hear the entire piece go to Bandcamp/dejacusse.

As this large group of dancers in 65 locations across the country create a wave of healing energy directed toward Earth and Water, your attention will amplify the energy beyond all possibilities.

Join us for a five minute healing prayer on Instagram (@movinggrace) or through the National Water Dance Website. If you cannot join us at 4, please bear witness to the dance on Instagram TV. Now, more than ever, it is important to mind what we ourselves are giving our precious time and attention to!

Amplify the healing wave!

National Water Dance – NOT Cancelled

With all of the rescheduling of public events local, national and global, there is one event that will go on next month. National Water Dance 2020 will happen as scheduled on April 18th 2020 at 4 pm EST. This biannual movement choir in honor and healing of water will take place across the country all at the same time and streaming across the web. This announcement came from NWD last week:

WE ARE STILL DANCING! Wherever you are on April 18 at 4:00PM EST, alone or self-quarantining or with a small group in an open space, we will begin with the shared gesture and end with the shared gesture and your personal movement will fill in the middle.

We are fortunate to be living in the digital age – as we are asked to observe *“physical distancing,” we are able to close that distance by linking together through social media.

This challenge is forcing us to re-evaluate what we are doing and how we are doing it. Let’s find that deeper meaning in our dance, whether in a group or alone. We can dance wherever we are and livestream it on Instagram and Facebook. 

More than ever the world needs our hope and energy. Let’s move forward together and flood the social media networks with our dances on April 18th.

My crew at the idiosyncratic Beats of Dejacusse (iBoD) had big plans to create a watery like container at PS 137 with live plants and flowers by Lee Moore Crawford, and space for movers and viewers. Now we have constrained as we must, so will feature Jody Cassell as Durham’s National Water Dancer streaming live from her home. Jody will move to a recording of Carnatic Water Music, which will be released by iBoD on Bandcamp in April a week before the event. We will keep you posted as to how to link to the performance and pre-order the digital EP.

Mark your calendars for Durham’s National Water Dance April 18th at 4 pm.

Carnatic Water Music

Susanne, Eleanor, Jim and I have been soundscaping together for 5 years now. During that time, we have all grown as deep listeners and sound painters. I am grateful to play with people who can tune into the sonic environment, their own voices and play the waveforms. We are soundpainters not musicians. Sometimes even we get confused.

The first time we played together publicly was at the Won Buddhist Temple Bazaar in October of 2014. And the first piece we played was Carnatic Water Music. (This soundscape is based on a Carnatic Indian scale that is included in Michael Hewitt’s book, Musical Scales of the World.) We played over and around what is now the first section of Carnatic Water Music while the rains poured down! We were actually in a tent, but the Zoom recorder was out in the rain with a raincoat over it. The recording has rain patter on it, which sounds like scratches on a vinyl record. I really like this recording! (We appreciated the company of Linda Carmichael singing/playing ukelele at this event.) Here is an excerpt:

Carnatic Water Music Nested

After this performance, we played CWM frequently at public events. This is a long-form soundscape that we play for 20 to 40 minutes. As time went on, I added some new sections to the piece so the players and listeners would have greater variety of the sonic spectrum, and to vary the pace a bit. Now when I listen to Carnatic Water Music I hear different energetic aspects of bodies of water, from lolling rivers to waving oceans.

The next stop for CWM will be as the main theme for The Space ReSounds of Water, a pop-up dance installation to be performed on April 18th. The performance is Durham’s offering for National Water Dance 2020. Here is a write-up about the event:

Since 2016, National Waterdance has brought attention to water issues through synchronized dance performances in multiple locations. iBoD and dejacusse want 2020 to be the year the Triangle joins the dance.

The Place ReSounds of Water is a sound, dance and visual art performance piece conceived and performed by iBoD in 2019. We would like to expand on the piece by creating The Space ReSounds of Water, a space/container with video projections, and with healing flowerscapes by Hana Lee, a soundscape by dejacusse and iBoD, and dance movement by Jody Cassell. The performance will take place as a part of the National Waterdance event on April 18 2020 at 4 pm.

The performance will run from from 4-6 in a space where the audience can come and go. This is a meditative performance that can be engaged with on many levels. While some of the movement may be choreographed, most will be free flowing improvisation the audience can participate with. Outside the venue, we will invite local water and environmental organizations to offer education and actions we can take to protect our waters.

To prepare for this event, we are making a really good recording of Carnatic Water Music. We have played this piece so many times, as soon as it begins we fall into a lovely sync with the soundscape. We are recording in the SunRa Room, which is a lively, if not acoustically perfect, space. As of now we are playing through the soundscape and recording on a separate track each time. Afterward, I mix the recording and put it out dor feedback from the group.

Last week, I recorded one runthrough into a track in Ableton and the second runthrough into a track on the H6n. The Ableton track had the most presence and was easy to work with in the mixing process. The trick is to get the right balance between our live playing and the looping soundscape. Today I discovered several recordings we made through the H6n- might be able to tuck some of those in the mix somewhere. We did our final two takes last week, so now I go to work in earnest!

One of the several works-in-progress happening as Winter sets in. Come Spring, iBoD will release Carnatic Water Music as our first extended play download!

iBoD presents FreeQuencies @Durham Makes Music Day

My cohorts and I are flipping the script from our usual way of play for Durham Makes Music Day this coming Friday. We have played together as iBoD for about 5 years now. I make soundscapes in Ableton Live, while Susanne, Eleanor and Jim add their own riffs and melodies over top. These soundscapes follow a more formal, songish structure. While we mostly improvise, the more we play a piece, the more we lock into parts, which layers in a more rigid form and stifles the improv. Too much structure calcifies creative growth, so time for a shift!

Under the influence of Moogfest and the work of Pauline Oliveroes, iBoD is exploring “all of the waveforms” and the means to transmit them. Susanne, Eleanor, Jim and dejacusse will provide the soundscape LIVE using voice, harmonicas, melodica, digital horn, recorder, flute and electronic modulations. In this way we will transmit a diverse range of audible waveforms as patterns of frequencies. These “freequencies” will permeate the larger soundscape that will surround us, altering the sonic environment in unusual ways.

Our location at M Alley/Holland Street (behind the Durham Hotel) means we will be in the thick of all the sounds of downtown Durham and all the outdoor music being made on Durham Makes Music Day. We will not be the loudest, but if you come down to where we are located, close your eyes, quiet your mind and open your ears, I guarantee you will hear something beautiful and amazing!

Friday June 21st

8:30-9:30 pm

iBod at M Alley/Holland St.

The Place ReSounds of Water

Sunday May 19th was a gorgeously breezy afternoon when Susanne Romey fluttered and howled on the Native American flute while Eleanor Mills pulled rich sounds from The Bells, and Lee Moore Crawford blessed and balanced the water, while Jody Cassell moved and was moved by internal and external energies. dejacusse added a little shimmer to the bell harmonics and witnessed this most beautiful rendering of love.

Big thanks to Jim Kellough for sound smudging the space, to Linda Carmichael for the video capture, and Central Park School for allowing us to celebrate at The Bells.

Stay tuned next year for National Water Dance 2020 Durham NC!

Synthesizing in Ableton: They are On It!

Well, my short-lived journey into configuring Ableton Live as a synthesizer has come to a halt with the purchase of a Behringer Neutron at Moogfest AND with the Ableton announcement that they are Beta-testing CV plug-ins for Ableton 10. I am soooo excited with this direction.

My experiments with creating modulation FX using “dummy clips” or Envelope Generators yielded some new directions for iBoD and dejacusse. We are experimenting with running live sound through the FX tracks and EG clips. This coming Sunday, we will perform The Place ReSounds of Water in front of the Central Park School for Children. Eleanor Mills will play The Bells, dejacusse will morph the bell harmonics into a watery pallette that Susanne Romey will play NA flute over top. There will be meditative movement and the pouring of water. Come join us!

Sunday May 19 @4 pm

724 Foster St @The Bells

Riding and Playing the en/Harmonic Waves

My quest to synthesonize Ableton Live has taken an exciting new turn. Last Sunday, we discovered that by micing The Bells at the Central Park School Soundgarden, I can run that sound through Ableton and into the various synth modules and FX racks I am building. What happens is that the Abeju Synth Modules and FX Racks capture most of the harmonics that arise from Eleanor’s bell playing. The harmonics can be shaped by envelopes and attenuation and, of course, granular synthesis. My goal is to gradually shape the bell harmonics into a watery stream sound. This will be part of the soundscape for The Place ReSounds of Water (TPRSW) on April 14th at 4pm for SITES Season 2018-19.

When iBoD first started playing with The Bells, I recorded and analyzed their harmonic content. These bells are former compressed air tanks with the bottoms cut off, so the metal is not pure, it is some kind of alloy. This translates to lots of harmonic AND enharmonic content! A pure metal would render more pure harmonics. These pure harmonics are pretty, often beautiful, but my ear grows tired of the stasis of it all. The idea of purity in all of its forms is an illusion that leads to much misunderstanding and anguish in the world. Think about what striving for purity has given us: genocides, fascism, chronic autoimmune diseases, disconnection from and attempts to conquer nature, diminished empathy, and on and on. It is my prayer that riding and faithfully playing All the en/harmonic waveforms will encourage evolutionary growth. That is what I am going for!

TPRSW is my first attempt to sync up with the National Water Dance. My timing is off as this is not the year for National Water Dance, however I am hoping this will kickoff some interest for 2020. The idea for TPRSW is to give prolonged loving attention to water in the form of sound, light and the liquid itself. The soundscape will consist of Eleanor Mills playing The Bells, dejacusse aka Jude Casseday capturing and playing the en/harmonic waves from The Bells and morphing them into a watery feeling soundbed. Then Susanne Romey will play Native American flute over that for a while, then we start the wave again. The movers will pour water from vessel to vessel. An altar of flowers may be built. The whole thing is a mystery.

Our location at the Soundgarden at Central Park School gets full afternoon sun, so the visuals might include sparkles and shimmers of water. We could be lit up! If it is overcast, the air will be moist and the sounds of water will carry more clearly. If it threatens rain on Sunday, we will do it on Saturday instead! Or, perhaps, we will figure something else out and perform as it rains.

Whatever we do will be in praise of water!