The Gift of Nature’s Chord 

Nature’s Chord is an organizational framework for all frequencies, AND any periodic reoccurrence can be converted to frequencies and studied as this patterned relationship. In his book The Cosmic Octave, Hans Cousto, the maverick mathematician and scientist, demonstrates the formula for converting any periodic function to an audible frequency. He explains that “The period of oscillation and its frequency stand in a relation of inverse proportionality, thus period = 1/frequency and frequency = 1/period. The reciprocal value of a period of time represents its frequency…” You find the reciprocal value of a given period by dividing the number into one. This value is then multiplied by 2 until the number reaches the audible frequency range. Then you can find the tonal correspondence to the periodic function that you just converted.

For example, the speed of light is 186,000 miles per 1 second. “Miles per second” is a dead giveaway that this measurement is a periodic function. (Actually almost any measurement would qualify.) 1/186000 = 0.000005376344086 x 2 to the 25th power = 180.4 hz which is F#/185 hz (-3.6 discrepancy). So the tone for the speed of light is F#. Cousto converts time periods (days, years, etc), planetary orbits, distances between the stars into frequencies. The mathematics point to a potential resonant frequency for any periodic function.

In a recent blog post on The Law of the Octave, I pointed out that our Universe is held together and moved along by vibrations. Even a cursory reading of contemporary quantum physics supports this idea. Nature’s Chord allows access to and influence upon the vibrational Universe. As a painter of sound, a lover of diversity, and a harmonic healer, this is one exciting discovery. This is a way to sonify and present information, bring the resonant frequencies of relationships into harmony, and generally engage with the overall vibration of any situation.

So, I am looking around for periodic data to sonify using the Law of the Octave and Nature’s Chord/Scale. In 11th Harmonic, I used the reveletory research that Dr. Anthony Holland presented in his TED talk on the use of the 11th harmonic in “disrupting ” the cellular structure of tumors. Of course, the frequencies he is dealing with are super high electrical frequencies. When we apply the Law of The Octave, the electrical frequencies can be converted into audible frequencies. Then through the template of Nature’s Chord, we discover that the 11th harmonic is the fifth above the Fundamental Frequency in the fourth harmonic octave. So the 11th Harmonic soundscape begins with those long spacious intervals. I chose four whole tone tetrachords and then paired them with the fifth in the fourth octave. Within the first four octaves of Nature’s Chord lies two more fifths and the third and flatted seventh. When you start swinging these intervals around, more tetrachordal relationships emerge. It is a firework of harmonics when moving quickly, then a luxurious web of sound swaying in the breeze at slower paces. Here is a little excerpt of 11th Harmonic as played on April 4th to reset the time fractal and disrupt the stuck energy behind war and violence.

And, sure enough, Trump bombed Syria. (And the butterfly flaps its wings.) The 11th Harmonic disrupts and moves the energy without any particular outcome except dislodging and moving the energy. (Which is why Dr. Holland does not say the 11th harmonic “cures” cancer. It disrupts the integrity of the cancer cells.) And, at the same time, Nature’s Chord and the Acoustic Scale express beautiful, harmonious sonic relationships, within which the change is happening. That is the vibe! As these magical relationships are expressed with open-hearted loving intentions, entrainment happens and the vibration rises up. And, it happens in mysterious ways. Entrainment is alot like God, like Love.

While I was writing this post, Trudie asked, “Did you know that the Hindu creation myth says that the world was created through sound?” No, I did not! Research revealed several Hindu creation myths – hooray for multiple potential beginnings without needing one to be right!  Here is one of the creation stories from Hindu mythology.

Before this time began, there was no heaven, no earth and no space between. A vast dark ocean washed upon the shores of nothingness and licked the edges of the night. A giant cobra floated on the waters. Asleep within its endless coils lay the Lord Vishnu. He was watched over by the mighty serpent.

Everything was so peaceful and silent that Vishnu slept undisturbed by dreams or motion. From the depths a humming sound began to tremble, Aum. It grew and spread, filling the emptiness and throbbing with energy.

Aum, or Om

The night had ended, Vishnu awoke.

History is, in part, the periodic oscillation of humanity falling asleep into the larger, darker dream and then awakening into the light of self-awareness. We are riding the wave of an awakening time right now. Pay attention to what and to whom you give your attention. Our moment -to -moment awareness is our most valuable currency.  Do not squander it on guilt and sacrifice. Do not squander it on exploiting and manipulating others. DO, yes, DO give your attention to all that is in your present moment. Give it to the joy, beauty, harmony, pain, suffering and dissonance that is within each moment of our existence. Breathe. Wait for instructions. Remember vibration. Dance and sing, move and vocalize however you are able. (In the head works, too)

Allow the awakening to unfold!

The Law of the Octave

To form an octave is to double or halve a given frequency.                                                                                                                             The Cosmic Octave    Cousto    

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When asked what one piece of information represented the most important knowledge humans possess, Richard Feynman, the remarkable mathemetician/physicist, replied:

Everything is made of atoms.

Indeed! What an amazing discovery! While the atomic structure and molecular composition vary from one object to the next, from one human to the next, from one star to the next, still – Everything is made of atoms!

But wait! There is more! Atoms are comprised of electrons that orbit a nucleus. And atoms are primarily “empty” space. Yet this moving, spacious world of Everything appears to human beings as material form. Even our earth suits have an animate integrity. What holds all of this together?  Within these “building blocks” lies a deeper cohesion, a durational measurement, a simple, but pervasive infrastructure for all of Creation – the oscillation.

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An initiating gesture, rising to a peak, falling past the midline to trough, and rising back to the midline beginning – motion across/around a central axis – a cycle, one complete oscillation.  (The actual measurement is from peak to peak = one cycle) Put a bunch of oscillations together in a periodic sequence, and you have frequency. Frequencies, along with resonance, consonance, dissonance, hold the world together AND move us through our experiences. While our reality appears solid and stable, it is actually in constant flux driven by frequency oscillations. Oscillations are the pervasive movement pattern that weaves together what we call “reality”. From the quantum, to the electromagnetic, to the world of form, all of existence is waving at and through us. If this is true, then frequency is a portal into and through all of existence. And this portal is accessible and useful due to the Law of the Octave.

A vibrational frequency is known through a measurement called hertz. Hertz expresses the number of oscillations per second. One oscillation per second is 1 Hz, twenty-five oscillations per second is 25 Hz, and so on. Vibrational frequencies reveal the world to us through our senses. Everything we hear, vibrates at 20 Hz to 20,000 Hz, which is the audible spectrum. Everything we see is vibrating between 400 Trillion Hz and 750 Trillion Hz, which is the visible spectrum of the electro-magnetic field.  The entire electro-magnetic field is a vibrational gift basket of frequency bandwidths that give us telegraph, radio, television, mobile phones, internet, and the electricity to power it all. And then when we go deep into the building blocks of matter, what do we get? – more oscillations.

According to the Law of the Octave – every frequency is entangled with its half and its double. Any known frequency can be calibrated as an audible frequency or visual frequency or x-ray frequency, simply by  dividing higher frequencies by 2 and multiplying lower frequencies by 2. In the book The Cosmic Octave, Hans Cousto argues that the octave is a unit of measurement that can be useful in understanding and working with our very existence.  Using a simple mathematical formula, Cousto converts all manner of measureable phenomenon to audible tones. (More on that in a future post.)

The audible frequency range demonstrates clearly how The Law of Octave works. A frequency of 440 Hz is the infamous Concert A- multiply 440 x 2 and 880 is also an A tone. The frequency is higher, denser, more oscillations per second, but it is the same expression as the 440 – it also is an A. Divide 440 by 2 and you have 220 Hz – also an expression of an A note. This suggests a repetitive pattern that is renewed each time it doubles or halves. This is a moment of return, an opportunity to begin again. I am wondering about The Law of the Octave as a jumping off point in the design of all kinds of fractals (mostly sound fractals).

And this is just the beginning, as there are other factors informing my fractal understanding, including Nature’s Chord, the Golden Mean, and Fibonacci numbers.

For now, The Law of the Octave and its relationship to the movements of the Universe are enough to ponder.

Carried Wisdom

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I have a friend whom I have not seen in many decades. We now communicate on Facebook. We shared a connection in high school, then I moved away sophomore year. I am not good at maintaining long distance relationships – being a right here, right now kinda girl! The present moment is very full, but I want to expand my awareness to include those I love who are not in my immediate proximity.

My friend had a difficult and painful 2016. She surrendered much, participated in great healing and is moving through the experience with much love and gratitude. She is in my thoughts alot these days. We have shared jokes and love memes on Facebook. She has listened to some of my soundscapes and is open to the vibrations. I wanted to create a soundscape for her journey.

I have not heard from her in a while and I am sending waves of loving vibrations her way via the soundscape entitled Carried Wisdom.

Music as Biology?

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I just completed a MOOC from Duke on the possible biological underpinnings of why human beings make music and why we prefer certain scales/modes in the music we enjoy. And while the conclusions seem somewhat obvious, I think that Dr. Dale Purves, who taught the class, is excited to have some empirical data to give credence to his theory. Empirical data brought to you by computers and their algorithms.

So here is what I understand from taking this class – sound is a disturbance of air molecules that are gathered by the outside of the ear (the pinna) and guided into the ear canal. Depending on age and health, humans have the ability to hear frequencies from 20 hz to 20 Khz. But the ear canal itself is shaped in a way that amplifies frequencies between 100 hz and 1000 hz – the very frequency range of the human voice. So the ear canal actually prioritizes these frequencies over all the other frequencies that we can hear. In addition, Dr. Purves made the point that the physical components of the vocal tract, to which our ears are so attuned, have all of the characteristics of a musical instrument. Vocal cords, bowed by a stream of air, change pitch through tension that changes the length of the cord. The tongue, mouth and lips are the envelope shaping the attack, sustain, release and decay of the pitches. The torso, throat, and sinus cavities are the resonators projecting tones out into the environment. So far, all of this is common knowledge from the physics of biology. Purves’ point here is that these are important evolutionary characteristics of both the ear canal and the vocal tract – enabling us to discriminate humans from other beings and to assess another human’s size, mood and reproductive potential. Our ancient ancestors relied on these specialized capacities to survive and thrive on the planet.

Music has already been introduced into the equation with the recognition that our vocal tract has the characteristics of a musical instrument. As such, it seems likely that the human voice was the “first” musical instrument. While this is not a new idea, the proofs for the idea are based in a phenomonological sensibility. This is where the amazing ability of computers to crunch data and illustrate our theories comes into play. Dr. Purves accessed the Texas Instrument MIT speech corpus data base to demonstrate empirically that human speech actually contains harmonic overtones and the tonal ratios we associate with music. This was achieved by taking a small snippet of spoken English from the database, 100 milliseconds in length, thousands of examples of this snippet from different voices, normalizing it to an octave range and examining the sonic spectra. This examination revealed that human vocalization does indeed contain frequency relationships that are associated with music. Dr. Purves emphasized that this is not prosody or speech inflection. This is a deeper layer of analysis where we can see amplitude bumps at frequencies aligning with the harmonic overtone series. The conclusion being that when we listen to each other speak we are exposed to ratios of musical intervals.

The “musicality” of the human voice coupled with an ear attuned to the particular frequencies of that voice suggests that pre-linguistic human vocalizations were very likely our primary source of tonal sounds in the evironment in which we evolved. Thus, human vocalizations were likely the precursors of what we call music. So far, we have some interesting evidence for a biological explanation of not only why we enjoy music but how we came to create music in the first place.

Many of the beings we share the planet with can make sounds, but the making of music is a distinctly human activity. Taking sounds and organizing them into particular harmonic relationships, into predictable forms and catagorical genres is the purveyance of human beings. The various genres of music from folk to opera, make it pretty clear that music helps us feel, understand and express emotions as well. So it is from this place that Dr. Purves moved into why we prefer certain musical scales/modes.

Things got a bit more complex here as we explored definitions and explanations of music, consonance, dissonance, cadences, intervals and scales. I did not follow Dr. Purves down these paths quite as easily. Most of what followed had to do with comparing the speech spectra to designations by musicologists as to perceptions of consonance/dissonance, intervals and scales. The conclusion being that we prefer scales and intervals that have the greatest harmonic overlap with the harmonics found in the human voice.

Given the evidence above, human beings may have been predisposed to make music based on our biological apparatuses for sending and receiving sound. The ear prioritizes the frequencies of the human voice. The harmonic overtones and ratios of musical intervals that we associate with music are embedded in human vocalization as was demonstrated by the spectrum analysis of vocalized speech. Dr. Purves argues that the biological evolutionary imperative that attunes us to human voice has shaped our preference for the tones and harmonics that we take pleasure in hearing, and, by extension, constrained our choices in the scales we use to create music.

As I listened to Dr. Purves’ premise and the various methods and proofs he used to assert this idea, my thought was, “Wow, this is an amazing explanation of what may have been in the past, but what about now, in the present.” Biological imperatives were important as humans were getting a foothold on the planet, but it feels like evolutionary imperatives really must take a different turn at this time. Human beings have a stranglehold on the planet, so we need to evolve beyond the ideological assumptions we hold so dear about our biology. Perhaps one of the ways to shift this is to use our brains and conciousness to focus on a wider variety of tones, intervals and scales. I think some of the music of the 20th Century, including the emergence of electronic music, started moving us in this direction, and it continues into the 21st Century. After all, we do have free will choice. We do not have to be victims of our biology.

Experiments in Audio Origami 2: The 11th Harmonic

This experiment began with a rather dubious YouTube video about the “11th harmonic” and its power in breaking up cancer cells. The video is about the Rife Machine, which was an invention from the 1930s purporting to cure many diseases. Royal Rife was the scientist and inventor who “discovered” frequencies that could interfer with the frequencies of diseased cells. The narrator of the YouTube video, stated that the 11th harmonic was the frequency that disrupted cancer cells. About a week after I started this post, I found a TED Talk along this same line:

What we are learning from quantum physics about how the Universe is put together lends quite a bit of credence to the idea that frequencies can disrupt disease. Oscillating frequencies make up the entire spectrum of “all that is.” When these frequencies interact with consciousness – “being” happens. Our singular awarenesses collapse the waveforms into the many points of existence – the mix of all our singularities creates what we call “reality”. The famous physicist Erwin Schrodinger put this idea in another way when he said, “The total number of minds in the Universe is one: In fact, consciousness is a singularity phasing within all beings.” Oscillating frequencies engage with each other through constructive (in phase) and destructive (out of phase) interference (or, as I like to call them – engagement) patterns. Thus the fabric of reality is an oscillating organism of frequencies engaging, changing and disengaging with each other. Our brains stabilize the whole thing so that we can navigate and participate in our lived experience.

Both of these videos assert that a harmonic relationship created by a low tone and a higher tone is necessary to disrupt diseased cells. In both cases, the necessary frequencies equate to an extreme number of oscillations. Dr. Holland said that frequencies needed to be around 300,000 to 400,000 hertz in order to destroy cancer cells. While these frequencies are waaaay outside of the audio spectrum, there is an organizing principle that allows for the possibility that lower audio frequencies might influence healing. And that organizing principal is – the octave. Whatever frequency you start with will always return “home” when it doubles. It is itself again. For example, middle C on a piano is about 262 hz, double that to 524 hz and you are at C again. This creates a resonating fractal that repeats on and on into infinity.

The harmonic overtone series, which is the basis for most everything we hear musically, is built around this doubling principal. As we add more iterations of the fundamental frequency, we create more overtone relationships. Using the middle C example again, adding 262 hz to 524 hz gives us 786 hz, which is G or a fifth above C. Add 262 hz to 786 hz and we get 1048 hz which returns us to C again. Now we are two octaves above our fundamental frequency Middle C, AND we are at the 3rd harmonic. By adding 262 hz eight more times we reach the 11th harmonic, which is 3114 hz – G in the fourth octave above middle C.  (For more on harmonic overtones and their impact on our cosmic existence check out Hans Cousto’s book The Cosmic Octave.) Now I can create an audible 11th harmonic by combining a fundamental frequency and the fifth degree of that frequency in the fourth octave above that frequency. So I decided to make a leap of faith into the realm of the cosmic octave, and create a soundscape that hinges on an 11th harmonic and the healing secrets that it may hold.

Folding/Unfolding: The 11th Harmonic is built on a tetrachord of fundamental tones – CEGB accompanied by their 11th harmonic companions  – GBDF#. The tones are 4 octaves apart, so this is not an interval you are accustomed to hearing. I chose 6 instruments and created patterns with these unusual intervals. As I thought about how to voice this harmonic, I identified three choices :1. alternate between the fundamental and harmonic in a variety of rhythmic patterns all on one voice, 2. have one voice sounding just the fundamental and a different voice sounding the harmonic, 3. since the 11th harmonic is a fifth in the fourth octave and the two octaves below the fourth octave also contain fifths (according to the overtone series), then I could vary the patterns with some fifth reinforcements in those lower octave. The second choice was very monotonous and weakened the presence of the 11th harmonic, so I went with the other two as my basic structure.

This soundscape will be performed tomorrow, May 15th from 2 to 4 pm as accompaniment for Glenna Batson’s latest Human Origami workshop. This workshop is subtitled Partnering with Paper, Exploring the Muse. Joy of Movement Studio in Chatham Mills is hosting the event. In addition, to the featured 11th harmonic, I will use the audio folding techniques I discovered during the previous Human Origami workshop.(See blog post – http://wp.me/p5yJTY-c9)

We hope to see YOU there!

Some Thoughts on Grief (on Paul’s 52nd Birthday)

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Today February 25th, is my brother Paul’s 52nd birthday. While he did not live to see and celebrate it, he has people who are still here remembering him. His laughter, his sense of irony, his insecurity, his wit, his breadth of knowledge, his creativity, his emotional turmoil, his love, his righteousness and doubt all are imprinted on this moment. Contemporary quantum physics points consistently toward the truth that each individual conciousness has an impact on the world. If energetic matter can neither be created or destroyed, then this impact goes on forever. Even as I know this, I also know that when a beloved being leaves their physical form, a great deep grief rises up and takes hold in the world.

One of my life’s intentions is to be light, loving joy in the world. Much of the time this is easy for me as I am buoyed by the spirit that brought me here and always guides me. My life is simple with manageable stress and I have gifts to share and a cadre of friends to share them with. Then when an event outside my well-cultivated illusion of control happens, I resist , I wail and holler, saying to myself, “I don’t want to feel this way, I don’t want to feel this way, I don’t want to feel this way.” This is where I was for periods during the last year and a half as I allowed the reality of Paul’s death to bring waves of sadness, anger and anxiety to the forefront of my lived experience.

I know that resistance is a root cause of disease, so a less familiar path needed to be taken. Not numbing myself till it goes away, not holding it in, not crying in the bathroom and then putting on a good face in front of others- instead I did things that felt more vulnerable to me. I asked for help, shared my feelings in the moment and kept an eye out for any sense of victimhood and blaming of myself or others. I used all the tools in my pack – EFT, meditation, deep breathing, supportive nutrition and hydration, exercise – to stay grounded and present.

I am sad that Paul did not let me know what was truly going on in his life. Angry that he left out a huge piece of the puzzle of what happened between himself and his wife, his children and his wife’s family, and our family. Why did he have to work so hard to save face, put on a front, be so unaware of what he was doing and how it was impacting his life? I study pictures from his childhood looking for signs of angst, unhappiness, fear. He just looks happy, loving and excited by life.

He was the youngest child. As the oldest, it is hard to imagine what it is like to have, not only parents, but multiple older siblings telling you what is right and what is wrong from all our unique perspectives. All I can do is accept what has happened and honor him, his life, and his choices. From a place of unconditional love, there is no shame about the path he chose. He is a role model of surrender. He let himself go, he got himself out of a difficult situation the best way he knew how. There was a fearlessness in his giving over to his path. When I think of him with love and respect, I can only say, “well done, my brother!” I see you in your next life succeeding with love and assurance. I see you bobbing over the crest of a wave, laughing with joy.  The lessons you taught while you were here have not yet been fully realized. I feel heartened to know that the real gift of your life is yet to be received.

So while I have entertained grief in my home for a time I am clear that this is just a visit. And, as in past visits, it will come to a natural end. My home is filled with joy, love, and creative energy. While anxiety, fear, sadness and grief do build up in the nooks and crannies at times, a good cry, a loving talk, a breathing meditation, a smoke or tea of kind herbs, EFT, a belly laugh can cleanse those energies from my home. I feel a tremendous responsibility to give loving attention to this work – the work of cultivating creative joy in the world.

I do keep a picture of grief around, just as a friendly reminder of a pain that comes and goes and comes again, but for now- its time in my presence is up!

Joy to the World

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The year 2015 coming to an end has me thinking about time. Not time as a mechanistic ticking off of seconds, minutes, hours, days, months and years, but time in a larger sense as moments and experiences that we organize into the “story of my life.” Every thought, feeling, action and reaction we bring into the corporeal world imprints on the matrix of being. And we weave all of this together into a fabrication of who we are, both individually and collectively. How is your story going? What is it about?

I wish all my friends wrote blogs so I could read their stories. Some friends do send year-in-review letters this time of year. I enjoy reading those immensely. I have the good fortune to be surrounded by interesting people who are passionate about love, food, creativity, and holding a high vibration. We are the light tenders, the love snipers; we do what we can where we are to energize the highest vibe possible. We love and respect the individual paths we are each on, and we shine light for each other along the way.

At the Interfaith Celebration this week, Rachel Wooten reminded us that to love is to be present with, to focus our loving awareness on another. In order to do this, we must first be present and aware of self. Loving one’s self is the foundation for loving everything outside of self. Acts of self-care and self-love are some of the most powerful healing actions you can take in the world. Our spiritual traditions, educational system, social/familial beliefs discourage loving of self in favor of service to others. Loving actions and service to self/to others are both sacraments of the compassionate heart. It is the good in people that calls us to give and to help others. But, you cannot pour from an empty cup, so our first responsibility is to take very good care of self.

There is a general feeling that the world is a scary and dangerous place right now. Even a cursory read of world history confirms that this has always been the case! Gertrude Stein said, “Everything is so dangerous that nothing is really very frightening.” – a wonderful example of a koan whose meaning shimmers just out of reach. FDR said “Only thing we have to fear is fear itself.” Ghandi said, “The enemy is fear. We think it is hate, but it is fear.” “Fear not” and “Do not be afraid” reoccur throughout The Bible. All of these teachings point to a path away from fear. The scary and dangerous world (which we cocreate together) is shifting.

At dinner the other night, our soon-to-be teen granddaughter Erin, said, “well, I am afraid ISIS is going to come and kill us all.” Ah, yes, I remember the bomb shelters and the threat of nuclear devastation I came of age within. My mother came of age during the depression and World War II. Are we recognizing a pattern here? I love the state of the world at this moment because all of these patterns are coming to light. Patterns of belief that no longer serve and are no longer supported by the new energies flooding into our realm. The new energy fields of the planet do not support the political yammering and the media frenzy creating the “world about to end” story. All the patterns of control, cruelty and subterfuge are coming out into the light.As we learn to turn our attention within, and then without, we are creating a vibration of integrity, generosity, love, and acceptance of the incredible diversity this world engenders. We have the opportunity to use our most valuable currency – our moment to moment attention – to help the world evolve into a place of greater compassion and less violence.

How do we accomplish this shift? First, stop watching the news. Take in just enough mediated info to have some perspective. If you are watching hours of news, your currency is being used against you. After turning off all the media, sit in silence and stillness. Give full attention to your breath. Take three deep breaths into the heart. Ask for guidance from within. Just ask! And then pay attention throughout the day for signs from your guides. They love you dearly and will help you to live from your heart.

The next thing is the hardest to explain and of signifigant import – we must give up our “victim thinking”. Where else is there to go for one who has been victimized? Throughout time, people have been and are being vicitimized in some way by others. As a victim,  I feel the need for justice, reparations, and retribution. I feel the need to stay vigilant against further victimization. This gives my victimhood identity and value.  So some of my attention is taken by my need to keep my identity as victim alive in the world. Maintaining victimhood undermines personal power and free will choice. Once one is free from the victimizing situation, drop the need for vengeance, for rehash, for continuing to victimize yourself. Let it be finished.

Actually, “victim thinking” is part of a trio of roles we actively engage in that must ALL be given up. The idea here is from the teachings of Eric Berne and Transactional Analysis, which came into my life in my twenties. (Thank you, Dan Vice!) The Karpmann Drama Triangle has helped me be kinder and more present in all my relations. In our interactions we often play the role of either the victim, the rescuer or the persecutor, or a combination of these roles.  Recognizing when I am playing in the triangle, deconstructing where my attention is focused, and shifting my attention away from the drama in my mind and into the present moment, into this particular situation, with these people. When I look at my life so far, I see that I chose to play the victim or the rescuer most of the time. I so indentified with victim or rescuer that I could not even recognize when I was the persecutor.

I am starting a practice of questioning my own righteous indignation in all its guises. It is an anger discharge mechanism that brings about injury to myself and others. Anything that gets me riled up, or annoys me, I look for ways that I AM the thing that annoys me. I caught myself bullying Trudie the other day about something trivial (she forgave me!) This interaction haunted me for several days as I replayed my superior tone, accusatory language, and tightly-held body. I felt fiercly justified in my reaction. In this case, I was victimizing Trudie with my righteous indignation about something she may or may not have done. Giving  up these roles, means waking up to all the ways we create our own misery, lack, need, contempt, anger, rage, depression, fear by interpreting our experiences through filters of drama and pain.

Pay close attention to how your thoughts and beliefs shape your reality. Stay in the flow as much as possible. Say yes more than no. Always say no when you want to. Challenge your thoughts whenever they create pain in your gut, in your heart or in your head, in your life! We are taking an evolutionary step that involves a shift from “survival of the fittest” to “survival of the kindest.” Our brains are evolving so rapidly that medical and behaviorial sciences are struggling to keep up. Breathe deep, allow your conciousness to expand a little bit more with each breath, learn to listen to the guiding voice in your head that comes from your heart. Whatever may be happening feel the joy and love that carry us through each moment.

And, if you can’t feel it just now, trust it is there. That is faith, and it is a relief!