The Pink Lady Apple House release Junk Tape Vol 2/UFO Mix Tape is Quantum Joy!

If you follow @thepinkladyapplehouse on Instagram, you know that Justin Holt plays many instruments, lays down bucket loads of recorded sounds each day, and can shape these sounds into incredible cascading sonic impressions. In the picture above, you see him taking spaceship Earth out for a spin last summer! In his latest release, Junk Tape Vol 2/UFO Mixtape, The Pink Lady Apple House beams cosmic light and stirs quantum fluctuations into satisfying sonic landscapes.

My favorite track, Delighted, features a conversation between electric guitar in the right ear and Moog Grandmother in the left over a lumbering drum and bass with lots of fun percussive frills. Fashion is constructed of layers of blips, bloops, twitters braided together with a driving drum and bass that gradually lose their clarity as more harmonic content is added to the mix till all finally gurgles away. Listen to Star Map and you will know all the places he went on those summer cosmic explorations.

The Pink Lady Apple House sound draws some comparisons to the free jazz of Medeski, Martin and Woods and Sun Ra Arkestra. His process plays off of Brian Eno’s “The Studio as a Compositional Tool “as he works with reel-to-reel tapes and often plays the mixing board in real time. Justin’s playing of the Roland SP 404 is phenomenal and figures prominently on this album, along with the Moog Grandmother. TPLAH creates soundscapes of layered, lo-fi sounds that dance in/out of tune and time while merging and modulating each other in surprising and delightful ways. They sound full and interesting through headphones, iphone speakers and full sound systems.

Listening to Junk Tape Vol 2/UFO Mix Tape reminded me of a Tom Wait’s music video where he was herky jerky dancing and singing a raggedy melody, and it was so fascinating and beautiful in an off-kilter way, a realization of awkward grace! You will hear that same level of energetic, animated, awkward grace on The Pink Lady Apple House’ Junk Tape Vol 2/UFO Mix Tape available now on Bandcamp: thepinkladyapplehouse.bandcamp.com/album/junk-tape-vol-2-the-ufo-mixtape

Recommended for deep listeners, resonant advisors, and all explorers of the timbral Universe!

No Moogfest 2020

Just found out that Moogfest 2020 has been cancelled, so am feeling a little disappointed. However, that disappointment is tiny compared to the gifts that four years of Moogfest attending gave to me and countless others. Even if the festival never happens again, it left its vibratory mark on two North Carolina towns and neither of them will ever be the same.

The fest moved to Asheville NC in 2010 after four years in New York City. Moog has been a presence in Asheville since Bob Moog settled there in 1978, and opened the Moog factory. Moogfest Asheville ran from 2010 -12, culminating in appearances by Brian Eno, Kraftwerk, DEVO and many other big name electronic acts. Eventually, they got a better deal in Durham, so the fest came East. Asheville remains a hub of synthesizer activity with the Moog Factory and recently opened Moog Museum. Plus modular modules crafters Make Noise have called Asheville home since 2008. And there is an active and prolific community of synth players there to this day. Synthesis leaves a vibrational mark!

The first year Moogfest hit Durham, it was big time razzle-dazzle!! Every theatre and bar venue booked with performances. Laurie Anderson, Jason Lanier, Silver Apples, a three day residency with Gary Numan, a huge outdoor stage, a sleep concert, signage all over downtown – it was amazing! Working the ticketing table the very first year was incredible fun. Everyone was so pumped and joyful! All my co-volunteers were music producers as well, which was exciting! The subsequent years were just as much fun, although seemingly scaled down each year. In 2019, I was impressed by the presence of a number of local acts.

And, to be honest, that is what I would love to hear! More local players, low key venues, meetups, parties, jams! This is something the synth community in the Triangle/Triad area can do! I have very little nostalgia for “the great ones” of the past! I appreciate the ground they broke, but, damn, lets walk on that ground. To truly honor them, lets dance on that ground. So many people out there making so much beautiful noise!! I do not hear the need to import acts.

I would love the local synth community to take the weekend that was to be Moogfest 2020 and do something with it. One idea is a 24 – 48 hour synth concert – players could sign up for times in increments from 20 minutes to an hour. It would be fun to have each player or group leave a loop or drone running so the next player can take off from there. All woven together! Another idea would be to book several venues for 2-3 nights and offer evenings of sounds all around. The coolest thing would be to have whatever we do benefit Jill Christenson’s Day One Disaster Relief Organization!

Anybody want to do this???